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   The Met
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      Madame X returns, author Jason Reynolds on John Wilson, Kerry James Marshall, and more.
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         <!--HERO HEADLINE-->
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            <strong>
             Art in your inbox
            </strong>
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         <!--END HERO HEADLINE-->
         <!--HERO COPY-->
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           <a>
            <img alt="John Wilson: Interview with Jason Reynolds " border="0" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fproject_4%252F2026%252F2026_0130_MetNews%252F2026_0130_Metnews_wilson.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3Njk3MzEyNTUuNjUzNjg0OX0:1vlbwV:YwIZ2wDHifsNsofLzMAwGtWv5q8HVKIjI2akJ1u5iNI" style="border:none; display:block;" width="600"/>
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          <td align="left" style="padding:15px 5px 10px 0px; font-family:Arial, Helvetica, sans-serif; font-size:24px; line-height:28px;" valign="top">
           <a style="color:#000000; text-decoration:none; font-weight:bold; font-family: Arial, Helvetica, sans-serif;">
            An Artist's Duty: Jason Reynolds on John Wilson
           </a>
          </td>
         </tr>
         <tr>
          <td align="left" class="body-text" style="padding:0px 0px 0px 0px; color:#000000; font-family:Arial, Helvetica, sans-serif; font-size:16px; line-height:24px;">
           Explore how John Wilson's illustrations for children's literature emphasized the importance of representation with award-winning author Jason Reynolds.
           <a style="color:#000000;">
            <em>
             Witnessing Humanity: The Art of John Wilson
            </em>
           </a>
           closes soon on February 8, 2026.
           <a style="font-family: Arial,Arial, Helvetica, sans-serif; text-decoration: none; color: #e4002b;">
            <strong>
             Read now →
            </strong>
           </a>
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            <img alt="Inside the Studio with Kerry James Marshall" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fproject_4%252F2026%252F2026_0130_MetNews%252F2026_0130_Metnews_KJM.gif/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3Njk3MzEyNTUuNjUzODQ3NX0:1vlbwV:Hb5kSik2RLERJ6QDvaC-NsrLaE0V7EBjzIXU0BNukps" style="border:none; display:block;" width="600"/>
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           <a style="color:#000000; text-decoration:none; font-weight:bold; font-family: Arial, Helvetica, sans-serif;">
            Inside the Studio with Kerry James Marshall
           </a>
          </td>
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          <td align="left" class="body-text" style="padding:0px 0px 0px 0px; color:#000000; font-family:Arial, Helvetica, sans-serif; font-size:16px; font-weight:normal; line-height:24px;">
           Take a closer look at Kerry James Marshall's enchanting 2014 painting
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            <i>
             Untitled (Studio)
            </i>
           </a>
           to learn more about the artist's process and the secret meanings hidden in the image.
           <a style="font-family:Arial,Arial, Helvetica, sans-serif;  text-decoration:none; color:#E4002B;">
            <strong>
             Explore now →
            </strong>
           </a>
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            <img alt="Spectrum of Desire: A Likeness" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fproject_4%252F2026%252F2026_0130_MetNews%252F2026_0130_Metnews_spectrum.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3Njk3MzEyNTUuNjUzOTkxfQ:1vlbwV:d8IdmmP-z7BoRTuBjlMg4LZyF3eIr6nPuAWhOmuli_k" style="border:none; display:block;" width="600"/>
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           <a style="color:#000000; text-decoration:none; font-weight:bold; font-family: Arial, Helvetica, sans-serif;">
            <em>
             Spectrum of Desire
            </em>
            : A Likeness
           </a>
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           "A woman gazing at another woman in the lush green light of paradise is just as bad as a woman looking at herself..." The writer Selby Wynn Schwartz probes the strange and unsettling imagery on a boxwood statuette base currently on view in
           <a style="color:#000000;">
            <i>
             Spectrum of Desire: Love, Sex, and Gender in the Middle Ages
            </i>
           </a>
           .
           <a style="font-family:Arial,Arial, Helvetica, sans-serif;  text-decoration:none; color:#E4002B;">
            <strong>
             Learn more →
            </strong>
           </a>
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            <img alt="Nonconformist Spirits: Man Ray and Marcel Duchamp " class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fproject_4%252F2025%252F2025_1114_MetNews%252F2025_1114_manray2.png/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3Njk3MzEyNTUuNjU0MTM2Mn0:1vlbwV:7g8I9goGNyxMeyVr0Harn0o-dL5jXb_So6VezjzlVdE" style="border: none; display: block;" width="600"/>
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         <!--END HERO HEADLINE-->
         <!--HERO COPY-->
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          <td align="left" style="padding: 15px 15px 10px 0px; font-family: Arial, Helvetica, sans-serif; font-size: 24px; line-height: 28px;" valign="top">
           <a style="color:#000000; text-decoration:none; font-weight:bold; font-family: Arial, Helvetica, sans-serif;">
            Nonconformist Spirits: Man Ray and Marcel Duchamp
           </a>
          </td>
         </tr>
         <tr>
          <td align="left" class="body-text" style="padding: 0px 0px 0px 0px; color: #000000; font-family: Arial, Helvetica, sans-serif; font-size: 16px; font-weight: normal; line-height: 24px;" width="100%">
           How did Man Ray and Marcel Duchamp engender mutual growth in their radical art? The art historian Dawn Ades examines the duo's close collaborations and generative, lifelong friendship.  Don't miss the final weekend of
           <a style="color:#000000;">
            <em>
             Man Ray: When Objects Dream
            </em>
           </a>
           , closing Sunday, February 1.
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            <b>
             Read more →
            </b>
           </a>
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            <img alt="Madame X Returns" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fproject_4%252F2026%252F2026_0130_MetNews%252F2026_0130_Metnews_madamex.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3Njk3MzEyNTUuNjU0MjY1Mn0:1vlbwV:U5du_mrJJ-VzZAMIcuSdUAQBle_tr7XSXkZv8_h-zwc" style="border:none; display:block;" width="600"/>
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           <a style="color:#000000; text-decoration:none; font-weight:bold; font-family: Arial, Helvetica, sans-serif;">
            The Return of
            <em>
             Madame X
            </em>
           </a>
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           After spending several months on loan to the Musée d'Orsay,
           <a style="color:#000000;">
            <em>
             Madame X
            </em>
           </a>
           (1883–84) returns to
           <a style="color:#000000;">
            Gallery 771
           </a>
           . Learn more about the early controversy surrounding John Singer Sargent's iconic portrait and how it entered The Met collection.
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            <strong>
             Learn more →
            </strong>
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           <strong>
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             Exhibition Highlights
            </a>
           </strong>
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                  <img alt="Revolution!" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252FRevolution_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3Njk3MzEyNTUuNjU0NDA3NX0:1vlbwV:6q-xDOX_MiKTl4N5GYt06gSjSr2szrJ7skNOFFp0kcs" style="border: none; display: block;" width="290"/>
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                 <strong>
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                   Revolution!
                  </a>
                 </strong>
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                 <strong>
                  JUST OPENED
                 </strong>
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                 <font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
                  Through August 6, 2026
                  <br/>
                  The Met Fifth Avenue
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                         Celebrating the Year of the Horse
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                       <strong>
                        OPENING SOON
                       </strong>
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                       <font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
                        February 7, 2026–January 26, 2027
                        <br/>
                        The Met Fifth Avenue
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                     <img alt="Man Ray: When Objects Dream" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY25%252FMan_Ray_When_Objects_Dream_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3Njk3MzEyNTUuNjU0ODg5OH0:1vlbwV:Li0qg9IR91bG9F-zRMwUiU_DMfBhiAqVMwovU-H1uuU" style="border:none;  display:block;" width="290"/>
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                    <strong>
                     <a style="color:#000000; text-decoration:none;">
                      Man Ray: When Objects Dream
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                    </strong>
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                    <strong>
                     LAST CHANCE
                    </strong>
                   </td>
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                    <font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
                     Through February 1, 2026
                     <br/>
                     The Met Fifth Avenue
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                        <img alt="Witnessing Humanity: The Art of John Wilson" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252Fwitnessing_humanity_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3Njk3MzEyNTUuNjU1MTQ5NX0:1vlbwV:3cHptgCrNM5jPI1YCx7E6TpfidAspEUmrMmwB3VZKg4" style="border: none; display: block;" width="290"/>
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                         Witnessing Humanity: The Art of John Wilson
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                       <strong>
                        LAST CHANCE
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                       <font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
                        Through February 8, 2026
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                        The Met Fifth Avenue
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                    <strong>
                     <a style="color: #000000; text-decoration: none;">
                      Seeing Silence: The Paintings of Helene Schjerfbeck
                     </a>
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                    <font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
                     Through April 5, 2026
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                     The Met Fifth Avenue
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                 <strong>
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                   Spectrum of Desire: Love, Sex, and Gender in the Middle Ages
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                 <font style="font-size:14px; color:#6e6e6e; font-family:Arial, Helvetica, sans-serif;">
                  Through March 29, 2026
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                  The Met Cloisters
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              <strong>
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                The Met Cloisters Late Night: Night of Desire
               </a>
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              <font style="color:#6e6e6e;">
               Thursday, February 12, 6–9 pm
              </font>
              <br/>
              <br/>
              Follow your heart to The Met Cloisters! Celebrate Valentine's Day with a special after-hours event dedicated to medieval love and desire. Stroll the galleries and enjoy intimate gallery chats with curators, listen to medieval love songs performed live by
              <strong>
               Alkemie
              </strong>
              , and explore a fragrance experience created by
              <strong>
               Mythologist Studio
              </strong>
              , inspired by the scents of the Middle Ages. Get creative with hands-on activities—make medieval manuscript–inspired valentines, draw a portrait of your date, or craft a wire ring to gift someone special. Along the way, meet the mischievous
              <strong>
               Greedy Peasant
              </strong>
              and mingle with fellow romantics.
              <br/>
              <br/>
              Presented in conjunction with the exhibition
              <a style="color:#000000;">
               <em>
                Spectrum of Desire: Love, Sex, and Gender in the Middle Ages
               </em>
              </a>
              .
              <br/>
              <br/>
              Fee: $50.
              <em>
               Note: Space is limited; advance registration is required. Drink specials and light fare are available for purchase. Activities are subject to change.
              </em>
              <br/>
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              For more information  on the exhibitions, including sponsorship credits, visit
              <a style="color:#6E6E6E;">
               <em>
                Witnessing Humanity: The Art of John Wilson
               </em>
              </a>
              ,
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               <em>
                Spectrum of Desire: Love, Sex, and Gender in the Middle Ages
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              ,
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                Man Ray: When Objects Dream
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              ,
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                Revolution!
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              ,
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               <i>
                Celebrating the Year of the Horse
               </i>
              </a>
              , and
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               <em>
                Seeing Silence: The Paintings of Helene Schjerfbeck
               </em>
              </a>
              .
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              <br/>
              Public programs at The Met Cloisters are made possible in part by The Helen Clay Frick Foundation.
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                Donate now.
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              Comments are welcome at
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              .
              <br/>
              <br/>
              Images:  John Wilson (American, 1922–2015).
              <em>
               Striped Ice Cream
              </em>
              , 1968. Illustrated children's book. Text by Joan M. Lexau (American, 1929–2023). 8¼ × 5½ in. (21 × 14 cm). Collection of Elizabeth and Vivienne Maiden, NY. | Kerry James Marshall (American, born 1955).
              <em>
               <a style="color:#6E6E6E;">
                Untitled (Studio)
               </a>
              </em>
              , 2014. Acrylic on PVC panels, 83 ¼ × 119  ¼ in. (211.6 × 302.9 cm). The Metropolitan Museum of Art, New York, Purchase, The Jacques and Natasha Gelman Foundation Gift, Acquisitions Fund and The Metropolitan Museum of Art Multicultural Audience Development Initiative Gift, 2015 (2015.366). © Kerry James Marshall |
              <a style="color:#6E6E6E;">
               Base for a statuette
              </a>
              ,1470-80. South Netherlandish. Boxwood. 3 1/2 × 4 7/8 × 3 3/8 in. (8.9 × 12.4 × 8.6 cm). The Metropolitan Museum of Art, New York, The Cloisters Collection, 1955 (55.116.2) | Man Ray (American, 1890–1976).
              <em>
               <a data-sentry-component="ExternalLink" data-sentry-element="Link" data-sentry-source-file="index.tsx" rel="noreferrer" style="color:#6E6E6E;" target="_blank">
                Élevage de poussière
               </a>
               (Dust Breeding
              </em>
              ), 1920. Gelatin silver print, 2 13/16 × 4 5/16 in. (7.1 × 11 cm). Bluff Collection, Promised Gift of John A. Pritzker. © Man Ray 2015 Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2025 | John Singer Sargent (American, 1856–1925).
              <a style="color:#6E6E6E;">
               <em>
                Madame X (Virginie Amélie Avegno Gautreau)
               </em>
              </a>
              , 1883–84. Oil on canvas, 82 1/8 x 43 1/4 in. (208.6 x 109.9 cm). The Metropolitan Museum of Art, New York, Arthur Hoppock Hearn Fund, 1916 (16.53) | Paul Revere Jr. (American, 1734–1818), after Henry Pelham (American, 1749–1806).
              <em>
               The Boston Massacre,
              </em>
              or,
              <em>
               The Bloody Massacre perpetrated in King Street, Boston on March 5, 1770 by a party of the 29th Regiment
              </em>
              (detail), 1770. Hand-colored engraving and etching; second state. Sheet: 11 in. × 9 9/16 in. (27.9 × 24.3 cm). The Metropolitan Museum of Art, New York, Gift of Mrs. Russell Sage, 1910 (10.125.103) | Horse (detail), Tang dynasty (618–907), 8th century. Earthenware with brown glaze. The Metropolitan Museum of Art, New York, Seymour Fund, 1951 (51.66) | John Wilson (American, 1922–2015).
              <em>
               My Brother
              </em>
              , 1942. Oil on panel, 12 x 10 5/8 in. (30.48 x 26.9875 cm). Smith College Museum of Art, Purchased, (SC 1943.4.1) Courtesy of the Estate of John Wilson | Helene Schjerfbeck (Finnish, 1862‒1946).
              <em>
               Self-Portrait
              </em>
              (detail), 1912. Oil on canvas, 17 1/8 × 16 1/2 in. (43.5 × 42 cm). Finnish National Gallery Collection, Ateneum Art Museum, Helsinki (A-2016-51). Photo: Finnish National Gallery / Yehia Eweis | The Met Cloisters Late Night gif: Don Pollard and Filip Wolak
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