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   The Met
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      Divine Egypt, Spectrum of Desire, and more.
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            <img alt="Exhibitions" class="tag" height="80" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fproject_3%252F2019%252F2019_1201_Exhibitions%252Fimages%252Fimages%252Fexhibitions.png/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3NjAyNzk3MjUuNDgyMzA5fQ:1v7xAT:d6LLwiYp0VV2hpdcumtXHn8imCNOxNaFy0vyizXrfh8" style="display: inline; border: none; color: #e4002b;"/>
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            <img alt="Divine Egypt" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252FDivine_Egypt_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3NjAyNzk3MjUuNDgyNDI4M30:1v7xAT:D0dkE-ycKx9iuq3XmI-wLjaEBSBUmvA9_FvDnn-fhUQ" style="border: none; display: block;" width="600"/>
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           <font style="font-size: 10px; color: #e4002b; font-family: Arial, Helvetica, sans-serif;">
            <b>
             JUST OPENED
            </b>
           </font>
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           <font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
            Through January 19, 2026
            <br/>
            The Met Fifth Avenue
           </font>
          </td>
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          <td align="left" class="body-text" style="padding: 0px 0px 30px 0px; color: #000000; font-family: Arial, Helvetica, sans-serif; font-size: 16px; font-weight: normal; line-height: 24px;" width="100%">
           In ancient Egypt, images of gods weren’t just images—they brought the gods to life. Egyptians believed that it was through their depictions in tombs, temples, and shrines that the deities could enter sacred spaces and become active participants in rituals, offering a vital connection between the human and divine worlds. Over Egypt’s long history, its belief system grew to include more than 1,500 gods with many overlapping forms and traits. Subtle visual cues like what a figure wore, how they posed, or the symbols they carried helped identify them and their roles.
           <br/>
           <br/>
           <em>
            Divine Egypt
           </em>
           brings together almost 250 works of art and objects, many of them on loan from institutions such as the Museum of Fine Arts, Boston, the Musée du Louvre, Paris, and the Ny Carlsberg Glyptotek, Copenhagen, to examine the imagery associated with the most important deities in ancient Egypt’s massive body of gods. Depictions of the stately falcon-headed Horus, the lion-headed Sakhmet, and the serene, shrouded Osiris reveal the striking ways the kings and people of ancient Egypt recognized and interacted with their gods.
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            <b>
             Learn more →
            </b>
           </a>
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            <img alt="Spectrum of Desire: Love, Sex, and Gender in the Middle Ages" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252Fspectrum_of_desire_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3NjAyNzk3MjUuNDgyNTI2OH0:1v7xAT:zoAWO8BB3euYxZ785giotc7pkG5fHCW-GiVFgUiFXbg" style="border: none; display: block;" width="600"/>
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         <!--END HERO HEADLINE-->
         <!--HERO COPY-->
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          <td align="left" style="padding: 20px 15px 0px 0px; color: #6e6e6e; font-family: 'Times New Roman', Times, serif; font-size: 12px; font-weight: normal; line-height: 18px;">
           <font style="font-size: 10px; color: #e4002b; font-family: Arial, Helvetica, sans-serif;">
            <b>
             OPENING SOON
            </b>
           </font>
          </td>
         </tr>
         <tr>
          <td align="left" style="padding: 0px 15px 30px 0px; color: #6e6e6e; font-family: 'Times New Roman', Times, serif; font-size: 14px; font-weight: normal; line-height: 20px;">
           <font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
            October 17, 2025–March 29, 2026
            <br/>
            The Met Cloisters
           </font>
          </td>
         </tr>
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          <td align="left" class="body-text" style="padding: 0px 0px 30px 0px; color: #000000; font-family: Arial, Helvetica, sans-serif; font-size: 16px; font-weight: normal; line-height: 24px;" width="100%">
           Set in the stunning atmosphere of The Met Cloisters, this exhibition explores the often-overlooked themes of desire, sexuality, and gender in the medieval past, a period of time when most artistic production served religious purposes.
           <br/>
           <br/>
           Desire in the Middle Ages was multifaceted. It could be courtly or carnal, sacred or subversive, and expressed as a kind of longing, suffering, or joy. Medieval artists could be both deeply serious and comical in their evocations of these feelings. Drawing on decades of scholarship,
           <em>
            Spectrum of Desire
           </em>
           opens up new ways of seeing the past through stirring works of art that inspire us to think more expansively about people who lived in the Middle Ages, their relationships, and the artworks they produced.
          </td>
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           <a style="font-family: Arial,'Times New Roman', Times, serif; font-size: 24px; text-decoration: none; color: #e4002b;">
            <b>
             Learn more →
            </b>
           </a>
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           <b>
            <a style="color: #e4002b; text-decoration: none;">
             Exhibition Highlights
            </a>
           </b>
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                    <a>
                     <img alt="The Roof Garden Commission: Jennie C. Jones, Ensemble" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY25%252Fthe_roof_garden_commission_jennie_c_jones_Ensemble_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3NjAyNzk3MjUuNDgyNjYwOH0:1v7xAT:vaVkzoV5nXFI42QrciDJ4oilXBsI70XtAdDrT_eG5Iw" style="border:none;  display:block;" width="290"/>
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                    <strong>
                     <a style="color:#000000; text-decoration:none;">
                      The Roof Garden Commission: Jennie C. Jones,
                      <em>
                       Ensemble
                      </em>
                     </a>
                    </strong>
                   </td>
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                    <b>
                     LAST CHANCE
                    </b>
                   </td>
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                   <td align="left" style="padding:0px 15px 30px 0px; color:#6e6e6e; font-family:Arial, Helvetica, sans-serif; font-size:12px; font-weight:normal; line-height:18px">
                    <font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
                     Through October 19, 2025
                     <br/>
                     The Met Fifth Avenue
                    </font>
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                     <img alt="P. S. Art 2025: Celebrating the Creative Spirit of New York City Kids" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY25%252FPS_Art_2025_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3NjAyNzk3MjUuNDgyODkwOH0:1v7xAT:RUrovs6ADKM6wQH_GBZLHi55qzE3Ais7jwAKy5Hb_uM" style="border: none; display: block;" width="290"/>
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                    <strong>
                     <a style="color: #000000; text-decoration: none;">
                      P. S. Art 2025: Celebrating the Creative Spirit of New York City Kids
                     </a>
                    </strong>
                   </td>
                  </tr>
                  <tr>
                   <td align="left" style="padding: 0px 0px 0px 0px; color: #e4002b; font-family: Arial, Helvetica, sans-serif; font-size: 11px; font-weight: normal; line-height: 18px;">
                    <b>
                     LAST CHANCE
                    </b>
                   </td>
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                   <td align="left" style="padding: 0px 15px 30px 0px; color: #6e6e6e; font-family: 'Times New Roman', Times, serif; font-size: 12px; font-weight: normal; line-height: 18px;">
                    <font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
                     Through October 19, 2025
                     <br/>
                     The Met Fifth Avenue
                    </font>
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                     <img alt="Lorna Simpson: Source Notes" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY25%252FLorna_Simpson_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3NjAyNzk3MjUuNDgyOTg0OH0:1v7xAT:2AeakPlrUwgQ5Ejso-T3rh1qWDODWcIF5RhaXNrtW-o" style="border:none;  display:block;" width="290"/>
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                    <strong>
                     <a style="color:#000000; text-decoration:none;">
                      Lorna Simpson: Source Notes
                     </a>
                    </strong>
                   </td>
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                     The first major retrospective of the artist's work, Witnessing Humanity sheds light on Wilson's life and artistic evolution. Reproductions of artworks and photographs accompany critical essays and personal reflections, including analyses by art historians, interviews with Wilson's peers, remembrances from fellow Black creatives and a full chronology by the late artist's gallerist.
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                  Unsubscribe
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              For more information on the exhibitions, including sponsorship credits, visit
              <a style="color:#6E6E6E;">
               <em>
                Divine Egypt
               </em>
              </a>
              ,
              <a style="color:#6E6E6E;">
               <em>
                Spectrum of Desire: Love, Sex, and Gender in the Middle Ages
               </em>
              </a>
              ,
              <a style="color: #6e6e6e">
               The Roof Garden Commission: Jennie C. Jones,
               <em>
                Ensemble
               </em>
              </a>
              ,
              <a style="color: #6e6e6e">
               <em>
                P. S. Art 2025: Celebrating the Creative Spirit of New York City Kids
               </em>
              </a>
              ,
              <a style="color:#6E6E6E;">
               <em>
                Lorna Simpson: Source Notes
               </em>
              </a>
              ,
              <a style="color: #6e6e6e">
               <em>
                Man Ray: When Objects Dream
               </em>
              </a>
              ,
              <a style="color: #6e6e6e">
               <em>
                Witnessing Humanity: The Art of John Wilson
               </em>
              </a>
              , and
              <a style="color:#6E6E6E;">
               The Genesis Facade Commission: Jeffrey Gibson,
               <em>
                The Animal That Therefore I Am
               </em>
              </a>
              .
              <br/>
              <br/>
              For a full list of education program funders, please visit
              <a style="color:#6e6e6e;">
               metmuseum.org/educationfundingsupport
              </a>
              .
              <br/>
              <br/>
              Images: Triad of Osiris, Horus, and Isis. From Egypt, probably Thebes, Karnak Temple. Third Intermediate Period, Dynasty 22, reign of Osorkon II (about 872–837 BCE). Gold inlaid with lapis lazuli. Acquired in 1872. Paris, Louvre Museum, Department of Egyptian Antiquities (E 6204). © 2025 GrandPalaisRmn (Louvre Museum). Photo: Mathieu Rabea |
              <em>
               Aquamanile in the Form of Phyllis and Aristotle
              </em>
              , Netherlandish, late 14th or early 15th century. Copper alloy, 12 ¾ x 7 x 15½ in. (32.5 x 17.9 x 39.3 cm). The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (1975.1.1416) | Installation view of
              <em>
               Ensemble
              </em>
              , 2025, by Jennie C. Jones. Powder coated aluminum, stainless steel strings, instrument pins and concrete cast travertine tiles. Courtesy Alexander Gray Associates, New York © 2025 Jennie C. Jones | Jeshua Carmona (Grade 7),
              <em>
               Countryball New York City
              </em>
              (detail), 2025. Colored pencil. University Neighborhood Middle School, Manhattan. Teacher: Cynthia Millevoi | Lorna Simpson (American, born 1960).
              <em>
               Night Fall
              </em>
              (detail), 2023. Ink and screenprint on gessoed fiberglass, 144 x 102 in. (365.8 x 259.1 cm). Private Collection. Photo by James Wang. © Lorna Simpson / Courtesy the artist and Hauser &amp; Wirth | Man Ray (American, 1890–1976).
              <em>
               Rayograph
              </em>
              , 1922. Gelatin silver print. The Metropolitan Museum of Art, New York, Bluff Collection, Promised Gift of John A. Pritzker. © Man Ray 2015 Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2025 | John Wilson (American, 1922–2015).
              <em>
               My Brother
              </em>
              , 1942. Oil on panel, 12 x 10 5/8 in. (30.48 x 26.9875 cm). Smith College Museum of Art, Purchased, (SC 1943.4.1) Courtesy of the Estate of John Wilson | Jeffrey Gibson (a member of the Mississippi band of Choctaw Indians and of Cherokee descent, born 1972).
              <em>
               The Animal That Therefore I Am: they teach us to be sensitive and to trust our instincts, issi / awi / deer
              </em>
              (detail), 2025. Patinated bronze. Courtesy the artist
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