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3.13.2026
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“Art is domination. It's making people think that for that precise moment in time there is only one way, one voice. Yours”
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—Maria Callas
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<img alt="PARIS, FRANCE - MARCH 09: (EDITORIAL USE ONLY - For Non-Editorial use please seek approval from Fashion House) A model, shoe detail, walks the runway during the Chanel Womenswear Fall/Winter 2026-2027 show as part of Paris Fashion Week on March 09, 2026 in Paris, France. (Photo by Peter White/Getty Images)" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2026%252F3%252F13%252F9ca1de95%252Fparis-france-march-09.jpg%253Fw%253D640%2526h%253D427%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzM0MzE2NjguMzEyODgxN30:1w18aa:wQPDbFMH-rG-xlLFSWisi23uSadH9I1krnk_uIEuqJ8" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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Peter White/Getty Images Entertainment/Getty Images
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In
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Out
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<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
Some people are simply afraid of change. So Dior’s
<strong>
Jonathan Anderson
</strong>
and Chanel’s
<strong>
Matthieu Blazy
</strong>
were always going to face some skepticism during their debut shows. This past Paris Fashion Week gave each a chance to present their second full-season ready-to-wear collections, and the buzz surrounding both has largely turned positive. There’s no mistaking
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
Anderson’s Dior
</a>
for
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
Blazy’s Chanel
</a>
, and yet it’s fascinating what they have in common: bold colors, ornate details, and altogether a joyful celebration of craft and heritage. Do we have to tell you once again which TikTok trend is dead? Because there was certainly nothing
<em>
quiet
</em>
about these clothes. If Anderson and Blazy faced skepticism, Jean Paul Gaultier’s new designer
<strong>
Duran Lantink
</strong>
faced full-on hostility after his debut collection at the house last season.
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
This time
</a>
, he seemed to have assuaged those initial doubts. His trademark weirdness is still undoubtedly there, yet his focus on tailoring for this collection seems to have converted more than a few haters. Loewe’s new guard of
<strong>
Jack McCollough
</strong>
and
<strong>
Lazaro Hernandez
</strong>
seem to be hitting the mark as well. They took the legacy of quirky fun that Jonathan Anderson left at the house before moving to Dior as an excuse to
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
find their own voice
</a>
, rather than copying what came before. In fact, we could go on all day about how this new crop of designers is really hitting the mark.
<strong>
Haider Ackermann
</strong>
’s Tom Ford is a dazzling display of mature sensuality,
<strong>
Michael Rider
</strong>
’s Celine is
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
C-H-I-C
</a>
, and Givenchy’s
<strong>
Sarah Burton
</strong>
presents the exact right formula of stoic femininity. Turns out the designer sea change was worth it. For the rest of the best of Paris Fashion Week, click
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
here
</a>
.
</p>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
<img alt='BEIJING, CHINA - MARCH 10: American and French actor Timothee Chalamet attends the premiere of film "Marty Supreme" on March 10, 2026 in Beijing, China. (Photo by VCG/VCG via Getty Images)' class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2026%252F3%252F13%252F8b3e5a28%252Fbeijing-china-march-10.jpg%253Fw%253D640%2526h%253D427%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzM0MzE2NjguMzEyOTkwNH0:1w18aa:56PT8CJTCflfgrtDnX4gpu1eH6ZlmjumBMPS12BdKjI" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
</a>
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<div class="iO8" style="font-family: PilatNarrow, Helvetica, sans-serif; font-size: 10px; line-height: 120%; opacity: 0.75; padding-top: 3px;">
VCG/Visual China Group/Getty Images
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In
</td>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Oscars Campaign Silly Season
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
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<tbody>
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<td class="NgH" style="border-collapse: collapse; word-break: break-word;">
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<tbody>
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<td style="border-collapse: collapse; word-break: break-word;">
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Out
</td>
</tr>
<tr>
<td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Somber Ceremonies
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
In a
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
recent interview
</a>
,
<strong>
Nicole Kidman
</strong>
recalled winning her Oscar back in 2003 during a somber awards season held amid the
<strong>
George W. Bush
</strong>
administration’s invasion of Iraq. “It was a dampened-down ceremony, appropriately so,” Kidman said. “But there was still an incredible embracing of art and continuing the show in line with the legacy of Hollywood.” Twenty-three years later, a president has once again started a war in the Middle East in the midst of awards season, and yet Hollywood seems to have no such qualms about celebrating itself. In fact, the Oscars discourse of the past week has centered mostly on Best Actor nominee
<strong>
Timothée Chalamet
</strong>
’s comments in which he compared promoting movies to the promotion of opera and ballet. Half the Internet is
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
gleefully ripping
</a>
into the
<em>
<strong>
Marty Supreme
</strong>
</em>
actor, while
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
the other half
</a>
seems to think his comments were taken out of context and the discussion is way overblown.
<strong>
Doja Cat
</strong>
, for one, has managed to be
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
on both sides of the debate
</a>
within 24 hours. Media outlets thirsty for views, social media accounts desperate for attention, and these suddenly omnipresent and
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
questionably moral
</a>
“prediction markets” are all eager to keep the controversy going. Though it does feel like the possibility of Oscar voters being swayed by heavily online non-troversies cheapens the sanctity of the Academy Awards. It also all feels rather silly given—and we hate to say it—the state of the world.
</p>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
<img alt="Iconic Blondes on the Small Screen" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2026%252F3%252F13%252F2bc20ca6%252Fintro-1773161428.jpg%253Fw%253D640%2526h%253D359%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzM0MzE2NjguMzEzMDk2fQ:1w18aa:y6ozEnhJgC5wa2wvVLYVQ3ffR2ayFr9V_izsxRqjdBw" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
</a>
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In
</td>
</tr>
<tr>
<td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Iconic Blondes on the Small Screen
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
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Out
</td>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
East Coast 'Yellowstone'
</a>
</td>
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</tbody>
</table>
</td>
</tr>
<tr>
<td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
<p class="BBC" style="word-break: break-word; margin-bottom: 8px; margin: 18px 0 0;">
Kidman seems to be everywhere this week. Her r
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
are podcast interview
</a>
on
<em>
<strong>
Las Culturistas
</strong>
</em>
, in which she swings between unhinged silliness (“Did you go hiking on diarrhea island?”) and profound observations on life and art (“Am I okay with being alone? There will be nobody there when I die. Is that going to be okay?”), is a treat in and of itself, but the promotion is all on behalf of her new Amazon Prime show
<em>
<strong>
Scarpetta
</strong>
</em>
. It’s the first-ever adaptation of novelist
<strong>
Patricia Cornwell
</strong>
’s long-running crime fiction series, and critics say it’s worth the wait. “Even as the narrative grows more complicated, the show manages to keep the audience grounded in the crimes and Kay’s methodology,” writes
<em>
Variety
</em>
. On Saturday,
<strong>
Michelle Pfeiffer
</strong>
returns to television with
<em>
<strong>
The Madison
</strong>
</em>
, Paramount+’s latest
<em>
<strong>
Yellowstone
</strong>
</em>
spin-off. This one takes place in modern times and follows a Manhattan family who moves west to live on a ranch. Pfeiffer's work is being praised, but your enjoyment might depend on how much you already enjoy creator
<strong>
Taylor Sheridan
</strong>
’s work—and even then, how much you’ll enjoy it as it takes on an urban setting for half the season.
</p>
<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
Hollywood rarely plans major releases for Oscar weekend, as the town’s attention is obviously elsewhere. So this weekend’s most notable release is
<em>
<strong>
undertone
</strong>
</em>
, an experimental horror film in which only two characters are ever shown on screen. All the others are depicted purely through voiceovers. Critics are divided on the effectiveness of the bold swing, but most applaud the filmmakers for taking one.
</p>
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Follow us on:
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