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                              11.14.2025
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                               <tbody>
                                <tr>
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                                  “Once, power was considered a masculine attribute. In fact, power has no sex”
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                                  —Katharine Graham
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
                                                   <img alt="Backstage at the Brandon Maxwell Spring/Summer 2026 fashion show as part of New York Fashion Week held at Sotheby's on September 09, 2025 in New York, New York. (Photo by Stephanie Geddes/WWD via Getty Images)" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2025%252F11%252F14%252Fd5bc6f9e%252Fbackstage-at-the-brandon.jpg%253Fw%253D640%2526h%253D427%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NjMxNTEwMTYuMTYyNDIwM30:1vK07c:f7JUX_N1NXc0luneyZ3bhluutbLOBL3b8aUHJz-LoG8" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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                                                  <div class="iO8" style="font-family: PilatNarrow, Helvetica, sans-serif; font-size: 10px; line-height: 120%; opacity: 0.75; padding-top: 3px;">
                                                   WWD/WWD/Getty Images
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                                                  In
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                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Newspapers
                                                  </a>
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                                                  Out
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                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Instagram
                                                  </a>
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                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               Individual designers may be quick to a trend, but fashion as an industry can be embarrassingly slow to adopt change. Aside from a few noble attempts (shot out to anyone who remembers both Style.com and the original eLuxury website), fashion kept the concept of the Internet at arm’s length for decades. It took Instagram, with its emphasis on image and selfies, to change that, and change that it did. Front rows are full of Influencers, photo shoots are often optimized for the eternal scroll, and some designer’s clothes might work better as an image on the screen than they do in real life. Alas, it seems some in fashion yearn for the pre-digital days. There’s almost a Gutenbergian nostalgia in the air: a wish for the return of the printed page. That’s been literal in some cases. Hodokova
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                designed
                                               </a>
                                               a dress made out of actual books, while other designers left literature as a front-row treat for guests. At Dior,
                                               <strong>
                                                Jonathan Anderson
                                               </strong>
                                               reimagined the house’s book tote to feature the covers of actual novels (and more recently picture books,
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                including
                                               </a>
                                               <strong>
                                                Eric Carle
                                               </strong>
                                               ’s
                                               <em>
                                                <strong>
                                                 The Very Hungry Caterpillar
                                                </strong>
                                               </em>
                                               ). Speaking of Dior, while
                                               <strong>
                                                John Galiano
                                               </strong>
                                               ’s newsprint logo remains iconic, other houses have recently looked to the newspaper for inspiration. That includes
                                               <strong>
                                                Brandon Maxwell
                                               </strong>
                                               , who designed bags specially equipped to show off an actual front page.
                                               <strong>
                                                Demi Moore
                                               </strong>
                                               took notice, and was
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                recently seen
                                               </a>
                                               with a Maxwell bag adorned with a copy of
                                               <em>
                                                <strong>
                                                 The Financial Times
                                                </strong>
                                               </em>
                                               . The trend comes at a time when experts have noticed that social media use has peaked and literary may in fact be receding. Does that mean we’ll ever return to the days of walking down our driveways in a robe to retrieve the local paper? That’s less likely, but at the moment there’s no bigger status symbol than signaling that you know your way around the printed page.
                                              </p>
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                         <td style="border-collapse: collapse; word-break: break-word;">
                         </td>
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                 <td style="border-collapse: collapse; word-break: break-word;">
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                   <tbody>
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                     <td style="border-collapse: collapse; word-break: break-word;">
                      <table align="center" border="0" cellpadding="0" cellspacing="0" class="KrE" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; background: #000;" width="100%">
                       <tbody>
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                         <td style="border-collapse: collapse; word-break: break-word;">
                         </td>
                         <td style="border-collapse: collapse; word-break: break-word;" width="740">
                          <table align="center" border="0" cellpadding="0" cellspacing="0" class="avJ" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; max-width: 740px;" width="100%">
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                                                 <td style="border-collapse: collapse; word-break: break-word;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
                                                   <img alt="Antonin Tron, at Balmain" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2025%252F11%252F14%252F37b15dbd%252Frihanna-iman-naomi-campbell.jpg%253Fw%253D640%2526h%253D419%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NjMxNTEwMTYuMTYyNTI3Nn0:1vK07c:hg8dtkmpSB7G0C_tBdn7gqErrM7MlOkLGOsQv8vGrJA" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
                                                  </a>
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                                               <tbody>
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                                                 <td align="center" class="x4o hn3" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #262fff; padding: 0 0 10px;">
                                                  In
                                                 </td>
                                                </tr>
                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Antonin Tron, at Balmain
                                                  </a>
                                                 </td>
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                                             </td>
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                                     <td style="border-collapse: collapse; word-break: break-word;">
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                                             <td style="border-collapse: collapse; word-break: break-word;">
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                                               <tbody>
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                                                 <td align="center" class="x4o HcY" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #f24923; padding: 20px 0 10px;">
                                                  Out
                                                 </td>
                                                </tr>
                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Olivier Rousteing’s Act I
                                                  </a>
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                                             <td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               In these times, when the designer merry-go-round never ends, it’s a rare feat for a creative director to become totally synonymous with the modern image of the brand. Yet, that’s exactly what
                                               <strong>
                                                Olivier Rousteing
                                               </strong>
                                               did at Balmain. Appointed 14 years ago at just 25 years old as the first Black designer of a legacy French house, Rousteing eagerly embraced social media, diversity, and (yes!) the
                                               <strong>
                                                Kardashians
                                               </strong>
                                               long before his peers did. Among his standout moments were
                                               <strong>
                                                Zendaya
                                               </strong>
                                               ’s
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                glorious wet illusion gown
                                               </a>
                                               ,
                                               <strong>
                                                Tyla
                                               </strong>
                                               ’s
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                sandy Met Gala stunner
                                               </a>
                                               , a
                                               <em>
                                                <strong>
                                                 Tár
                                                </strong>
                                               </em>
                                               -inspired
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                symphony
                                               </a>
                                               for Cate Blanchett, a
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                Catholic warrior dress
                                               </a>
                                               for
                                               <strong>
                                                Jennifer Lopez
                                               </strong>
                                               , and
                                               <strong>
                                                Beyoncé
                                               </strong>
                                               ’s
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                iconic Coachella uniform
                                               </a>
                                               . Alas, fashion’s cycle of change spares no one, and Rousteing
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                stepped down
                                               </a>
                                               last week. It’s a bittersweet moment, but there’s perhaps a feeling that every designer needs a chance at a second act to truly establish their legacy. We’re sure he’ll land on his feet (and in the meantime, he’s already released a
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                $17,500 whiskey
                                               </a>
                                               collaboration with Johnny Walker).
                                               <strong>
                                                Antonin Tron
                                               </strong>
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                will succeed him
                                               </a>
                                               as Balmain’s creative head. The new creative director has worked on the design teams at Balenciaga and Yves Saint Laurent, but might be best known for Atlein, a cult-favorite Parisian brand he launched in 2016.
                                               <strong>
                                                Lady Gaga
                                               </strong>
                                               recently
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                wore one of his dresses
                                               </a>
                                               to
                                               <em>
                                                <strong>
                                                 Saturday Night Live
                                                </strong>
                                               </em>
                                               ’s 50th anniversary special. Tron’s design aesthetic seems almost the polar opposite of Rousteing’s hard-edged glamorous: it’s soft, sensual, and dare we say stealth. Time will tell if it’s as successful.
                                              </p>
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                         </td>
                         <td style="border-collapse: collapse; word-break: break-word;">
                         </td>
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                     </td>
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                 </td>
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                                                   <img alt="HOLLYWOOD, CALIFORNIA - NOVEMBER 09: (L-R) Claire Danes and Matthew Rhys attend Netflix's &quot;The Beast In Me&quot; Los Angeles Tastemaker at NYA WEST on November 09, 2025 in Hollywood, California. (Photo by Phillip Faraone/Getty Images for Netflix)" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2025%252F11%252F14%252F577ef787%252Fhollywood-california-november-09.jpg%253Fw%253D640%2526h%253D512%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NjMxNTEwMTYuMTYyNjMzNH0:1vK07c:PS5TVljqu8RxJ_kjrCi_9qx6y72v4VE9vX1JqJ2fGGw" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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                                                   Phillip Faraone/Getty Images Entertainment/Getty Images
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                                                  In
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Claire Danes, as Always
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Spaghetti
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                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               It’s a bit of “throwing spaghetti at the wall and seeing what sticks” weekend at cinemas, though none of this weekend’s wide releases have really wowed critics.
                                               <em>
                                                <strong>
                                                 The Carpenter’s Son
                                                </strong>
                                               </em>
                                               , co-starring the odd couple of
                                               <strong>
                                                Nicholas Cage
                                               </strong>
                                               and
                                               <strong>
                                                FKA Twigs
                                               </strong>
                                               , has been the subject of social media controversy. Some have tried to paint it as a
                                               <strong>
                                                Jesus Christ
                                               </strong>
                                               horror movie in which the son of God slashes people like he’s Jason or Freddy. That’s not quite right. It's director
                                               <strong>
                                                Lotfy Nathan
                                               </strong>
                                               ’s dramatization of
                                               <em>
                                                <strong>
                                                 The Infancy Gospel of Thomas
                                                </strong>
                                               </em>
                                               , a non-canonical ancient text. Reviews indicate it's probably not worth much hubbub either way.
                                               <em>
                                                <strong>
                                                 Now You See Me: Now You Don’t
                                                </strong>
                                               </em>
                                               is the third entry in this “magicians who do crime” series. A fourth is already on the way.
                                               <em>
                                                <strong>
                                                 Keeper
                                                </strong>
                                               </em>
                                               is the latest horror flick from increasingly prolific director
                                               <strong>
                                                Osgood Perkins
                                               </strong>
                                               . Reviews aren’t as good as
                                               <em>
                                                <strong>
                                                 The Monkey
                                                </strong>
                                               </em>
                                               , his other film from this year (but don’t worry, he’s already
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                filming his next flick
                                               </a>
                                               with
                                               <strong>
                                                Nicole Kidman
                                               </strong>
                                               ).
                                               <em>
                                                <strong>
                                                 King Ivory
                                                </strong>
                                               </em>
                                               tackles the fentanyl epidemic through the lens of a crime drama, but doesn’t quite transcend the genre. There’s always Netflix.
                                               <strong>
                                                Richard Linklater
                                               </strong>
                                               ’s
                                               <em>
                                                <strong>
                                                 Nouvelle Vague
                                                </strong>
                                               </em>
                                               hits streaming this weekend. The big red streamer’s latest limited series,
                                               <em>
                                                <strong>
                                                 The Beast in Me
                                                </strong>
                                               </em>
                                               , is also worth a look.
                                               <strong>
                                                Claire Danes
                                               </strong>
                                               plays a writer dealing with the death of her young son and writer’s block when she finds herself entangled with a new neighbor. “It’s a classic thriller executed with such panache that at times you feel you’re in the middle of someone’s nervous breakdown,” writes
                                               <em>
                                                The Times
                                               </em>
                                               .
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