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2.6.2026
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“I used to worry about being cool. Now I realize that I genuinely don't care.”
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—Charli xcx
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<img alt="LONDON, UNITED KINGDOM - FEBRUARY 05: Margot Robbie attends the Wuthering Heights' UK Premiere - Arrivals at Odeon Luxe Leicester Square on February 05, 2026 (Photo by Loredana Sangiuliano/Anadolu via Getty Images)" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2026%252F2%252F6%252F91b7aac1%252Flondon-united-kingdom-february.jpg%253Fw%253D640%2526h%253D427%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzA0MDkyOTcuMDcyODcxNH0:1voSKf:1uNlnPAKXK-WH5UjUXm-9SD7kTpacEdV57ueUww2H9g" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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Anadolu/Anadolu/Getty Images
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In
</td>
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Margot Robbie’s Meta Method Dressing
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Out
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The Color Pink
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<tr>
<td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
<strong>
Margot Robbie
</strong>
and her stylist
<strong>
Andrew Mukamal'
</strong>
s red carpet work
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
for
<em>
<strong>
Barbie
</strong>
</em>
</a>
<em>
</em>
will go down in the history books (in fact, they already published
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
a book of their own
</a>
about it). So the pressure is on for
<em>
<strong>
Wuthering Heights
</strong>
</em>
. While
<em>
Barbie
</em>
offered plenty of obvious material (the many, many outfits the doll itself has worn, plus the endless possibilities with the color pink), this film is a bit trickier.
<strong>
Emily Brontë
</strong>
’s novel is a product of the Victorian era, but the costumes in
<strong>
Emerald Fennell
</strong>
’s film version don’t hold themself to period accuracy. By all accounts, she’s taken the novel and bent it into something entirely her own and defiantly modern. So, perhaps it makes sense that the pair gravitated toward English designers who draw their inspiration from the past with an emphasis on creating something altogether new. It’s like they’re taking from Fennell’s own very English creative process, rather than the film she’s produced. That’s involved some choice pieces from the archives of both
<strong>
John Galliano
</strong>
and
<strong>
Vivienne Westwood
</strong>
, while calling in current looks from the London fashion scene’s current
<em>
enfant terrible
</em>
,
<strong>
Dilara Findikoglu
</strong>
. There have even been some choice selections from
<strong>
Victoria Beckham
</strong>
and Alexander McQueen’s new era under
<strong>
Seán McGirr
</strong>
. The results has been something like nobility gone punk. The standout so far might be from French couture houses. Mukamal tapped new Chanel creative director
<strong>
Matthieu Blazy
</strong>
for
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
a custom dress in luscious red velvet
</a>
, while Schiaparelli’s
<strong>
Daniel Roseberry
</strong>
concocted
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
a black-and-red stunner
</a>
. See all the looks
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
here
</a>
.
</p>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
<td style="border-collapse: collapse; word-break: break-word;">
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" class="card-447830836" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; --slot1: #000; --slot2: #fff; --slot3: #262fff; --slot4: #f24923; --slot5: #000;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" class="KrE" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; background: #000;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
</td>
<td style="border-collapse: collapse; word-break: break-word;" width="740">
<table align="center" border="0" cellpadding="0" cellspacing="0" class="avJ" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; max-width: 740px;" width="100%">
<tbody>
<tr>
<td class="C9T" style="border-collapse: collapse; word-break: break-word; padding: 20px 30px;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td class="hDn" style="border-collapse: collapse; word-break: break-word; background: #fff; padding: 20px;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td class="NgH" style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td align="center" class="iMH" style="border-collapse: collapse; word-break: break-word; padding: 0 0 20px;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
<img alt="NEW YORK, NEW YORK - NOVEMBER 03: International Designer of the Year winner Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris/Getty Images)" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2026%252F2%252F6%252Fc9679664%252Fnew-york-new-york.jpg%253Fw%253D640%2526h%253D427%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzA0MDkyOTcuMDcyOTcwMn0:1voSKf:x4mPrM24K--rzD83vUdVqixSnxPkIS_Rk3xOXa2ggyg" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
</a>
</td>
</tr>
<tr>
<td align="right" style="border-collapse: collapse; word-break: break-word;">
<div class="iO8" style="font-family: PilatNarrow, Helvetica, sans-serif; font-size: 10px; line-height: 120%; opacity: 0.75; padding-top: 3px;">
Dimitrios Kambouris/Getty Images Entertainment/Getty Images
</div>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td align="center" class="x4o hn3" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #262fff; padding: 0 0 10px;">
In
</td>
</tr>
<tr>
<td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Pieter Mulier at Versace
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td class="NgH" style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td align="center" class="x4o HcY" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #f24923; padding: 20px 0 10px;">
Out
</td>
</tr>
<tr>
<td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
What Could Have Been of Vitale's Versace
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
<strong>
Margot Robbie
</strong>
and her stylist
<strong>
Andrew Mukamal'
</strong>
s red carpet work
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
for
<em>
<strong>
Barbie
</strong>
</em>
</a>
<em>
</em>
will go down in the history books (in fact, they already published
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
a book of their own
</a>
about it). So the pressure is on for
<em>
<strong>
Wuthering Heights
</strong>
</em>
. While
<em>
Barbie
</em>
offered plenty of obvious material (the many, many outfits the doll itself has worn, plus the endless possibilities with the color pink), this film is a bit trickier.
<strong>
Emily Brontë
</strong>
’s novel is a product of the Victorian era, but the costumes in
<strong>
Emerald Fennell
</strong>
’s film version don’t hold themself to period accuracy. By all accounts, she’s taken the novel and bent it into something entirely her own and defiantly modern. So, perhaps it makes sense that the pair gravitated toward English designers who draw their inspiration from the past with an emphasis on creating something altogether new. It’s like they’re taking from Fennell’s own very English creative process, rather than the film she’s produced. That’s involved some choice pieces from the archives of both
<strong>
John Galliano
</strong>
and
<strong>
Vivienne Westwood
</strong>
, while calling in current looks from the London fashion scene’s current
<em>
enfant terrible
</em>
,
<strong>
Dilara Findikoglu
</strong>
. There have even been some choice selections from
<strong>
Victoria Beckham
</strong>
and Alexander McQueen’s new era under
<strong>
Seán McGirr
</strong>
. The results has been something like nobility gone punk. The standout so far might be from French couture houses. Mukamal tapped new Chanel creative director
<strong>
Matthieu Blazy
</strong>
for
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
a custom dress in luscious red velvet
</a>
, while Schiaparelli’s
<strong>
Daniel Roseberry
</strong>
concocted
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
a black-and-red stunner
</a>
. See all the looks
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
here
</a>
.
</p>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
<td style="border-collapse: collapse; word-break: break-word;">
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" class="card-447830837" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; --slot1: #000; --slot2: #fff; --slot3: #262fff; --slot4: #f24923; --slot5: #000;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" class="KrE" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; background: #000;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
</td>
<td style="border-collapse: collapse; word-break: break-word;" width="740">
<table align="center" border="0" cellpadding="0" cellspacing="0" class="avJ" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; max-width: 740px;" width="100%">
<tbody>
<tr>
<td class="C9T" style="border-collapse: collapse; word-break: break-word; padding: 20px 30px;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td class="hDn" style="border-collapse: collapse; word-break: break-word; background: #fff; padding: 20px;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td class="NgH" style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td align="center" class="iMH" style="border-collapse: collapse; word-break: break-word; padding: 0 0 20px;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
<img alt="Charli’s Angels " class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2026%252F2%252F6%252Fb2212f79%252Fscreenshot-2026-02-06.jpg%253Fw%253D640%2526h%253D482%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzA0MDkyOTcuMDczMDY2NX0:1voSKf:34yE2Gj1ruPI2gFAqhgYh0ULI0lItq-9cjmyQj453O0" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td align="center" class="x4o hn3" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #262fff; padding: 0 0 10px;">
In
</td>
</tr>
<tr>
<td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Charli’s Angels
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td class="NgH" style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td style="border-collapse: collapse; word-break: break-word;">
<table align="center" border="0" cellpadding="0" cellspacing="0" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0;" width="100%">
<tbody>
<tr>
<td align="center" class="x4o HcY" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #f24923; padding: 20px 0 10px;">
Out
</td>
</tr>
<tr>
<td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
French Dracula
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
<p class="BBC" style="word-break: break-word; margin-bottom: 8px; margin: 18px 0 0;">
This weekend, NBC has the sports double header to end all sports double headers: the opening of the Winter Olympics is on Friday and the Super Bowl is on Sunday. Hollywood is (mostly) taking a bit of a breather. Of course, who could provide better counter programming than
<strong>
Charli xcx
</strong>
? Her fans' idea of white lines has nothing to do with yard markers on a football field.
<strong>
</strong>
<em>
<strong>
The Moment
</strong>
</em>
, her mockumentary send-up of the Brat era, goes wide this weekend. It has a stacked cast of cult-cultural figures and fellow It girls:
<strong>
Hailey Benton Gates
</strong>
,
<strong>
Julia Fox
</strong>
,
<strong>
Mel Ottenberg
</strong>
,
<strong>
Kate Berlant
</strong>
,
<strong>
Rachel Sennott
</strong>
, and (
<em>
<strong>
W
</strong>
</em>
’s
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
online wellness columnist
</a>
)
<strong>
Tish Weinstock
</strong>
all figure in. Yet, it’s apparently a cameo by
<strong>
Kylie Jenner
</strong>
that
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
steals the show
</a>
. The film however has received mixed reviews, and may purely be for the “Angels” only. If you don’t know what an “Angel” is in relation to xcx's world, well, then, you aren’t one.
</p>
<p class="BBC" style="word-break: break-word; margin-bottom: 8px; margin: 18px 0 0;">
Certain Charli fans may also be interested in
<em>
<strong>
Pillion
</strong>
</em>
, which is finally going wide in America this weekend
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
after months of promo
</a>
. This is the one where
<strong>
Alexander Skarsgård
</strong>
plays a leather daddy who engages in a BDSM relationship with a former
<em>
<strong>
Harry Potter
</strong>
</em>
star. It may sound divisive, but reviews have been overwhelmingly positive. “It doesn’t coast on its set-up, Skarsgård’s presence, or the taboos it approaches,” writes
<em>
Collider
</em>
. “It handles all these and then some, combining a compelling coming-of-age story, an endearing comedy, and a sex-positive odd romance into one of the best films of the year.”
</p>
<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
Otherwise, you can choose controversial French director
<strong>
Luc Besson
</strong>
’s critically drubbed version of
<em>
<strong>
Dracula
</strong>
</em>
in cinemas or the
<strong>
Keke Palmer
</strong>
-starring series
<em>
<strong>
The Burbs
</strong>
</em>
. Critics were not supplied advanced screeners, and NBC is dumping it on Peacock the same day as the Super Bowl, which does not portend confidence nor quality.
</p>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
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