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10.31.2025
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<td align="center" class="TKQ" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; font-weight: 700; line-height: 110%; color: #fff;">
“If a party is really good, you can’t remember it.”
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—
<a class="GsP bsW" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #fff;" target="_blank">
Elvira, Mistress of the Dark
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
<img alt="IRL Parties" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2025%252F10%252F31%252Ff03f9d53%252Fkendall-jenner-kylie-jenner.webp%253Fw%253D640%2526h%253D427%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NjE5MzI5NTkuNjkyMjExMn0:1vEtFX:u6dh81LlJFFv5ugz834EKSnlhZCkasnGDKYII06U2Jg" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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In
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
IRL Parties
</a>
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Out
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Instagram Halloween Overload
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<td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
Over the past couple of years, celebrities have conspired to turn Halloween into a celebration of content and a spectacle for the algorithm. Our feeds have become filled with elaborately costumed photoshoots (often tickling our Buzzfeed-ian sense of nostalgia by recreating iconic moments from the past). When the phenomenon first started happening, it was unclear if any of the stars, you know, ever actually wore these costumes out to any IRL party, as is the holiday’s intent. It felt like an Internet overload. Now, it seems things have taken a swift 180. As of press time, not a single
<strong>
Kardashian-Jenner
</strong>
sister has posted any Halloween content to their Instagram grids (
<strong>
Kim
</strong>
, however, was spotted on TikTok dressing up with one of her children, which seems more in line with the intent of October 31). Former participants like
<strong>
Cardi B
</strong>
and
<strong>
Hailey Bieber
</strong>
have kept quiet, too. That’s not to say we won’t wake up tomorrow and find our feeds filled with pictures of their costumes, but it seems the celeb set has given up on stringing out the holiday with weeks of content pre-planned in advance. One of the few exceptions seems to be
<strong>
Lizzo
</strong>
, who dressed up as a mozzarella stick and tagged beloved baby back ribs purveyor Chili’s. “QUEEN YOU ATE 😍,” the chain restaurant wrote in the comments. I guess we’ll have to excuse someone getting a check. In the meantime, you can find all the costumes celebs actually wore to paries
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
here
</a>
.
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
<img alt="Rosalía’s Take on Y2K Style" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2025%252F10%252F31%252F8d59eb12%252Fg4sbydjwkaapfat.jpeg%253Fw%253D640%2526h%253D402%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NjE5MzI5NTkuNjkyMzEzMn0:1vEtFX:T5cug_g2KiBzml10V6iJMCNlE8bG8ictmsFheL7AuL4" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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In
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Rosalía’s Take on Y2K Style
</a>
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Out
</td>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Recession Pop
</a>
</td>
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<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
There’s Y2K fashion (Von Dutch hats, whale tail thongs, low-rise jeans), and then there’s 2000s
<em>
fashion
</em>
(
<strong>
Nicolas Ghesquière
</strong>
-era Balenciaga,
<strong>
Olivier Theyskens
</strong>
’s Rochas, late
<strong>
Alexander McQueen
</strong>
). Several pop stars have made good use of the former recently. Leave it to
<strong>
Rosalía
</strong>
to highlight the latter. Her
<em>
<strong>
Motomami
</strong>
</em>
era is over, and she ushered in her next album
<em>
<strong>
Lux
</strong>
</em>
with the release of
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
the video for her single “Berghain,”
</a>
featuring
<strong>
Björk
</strong>
and
<strong>
Yves Tumor
</strong>
, this week. The featured fashion very much harkens back to the Y2K era, but it's an elevated take. The standout is a tunic dress originally presented on Ghesquière's fall 2004 Balenciaga runway, but there are also plenty of choice pieces from McQueen (including a particularly scorching pair of rosary bead-inspired heels). When everyone else zigs, you can always count on Rosalía to zag. The song itself is a testament to that fact. While
<em>
Motomami
</em>
was full of high-energy bangers, “Berghain” was recorded with the
<strong>
London Symphony Orchestra
</strong>
with dramatic strings (the upcoming album is said to be structured in four movements). It also marks the first time a song featuring Björk has ever entered Spotify’s Global Top Ten. That’s no small feat. Rosalía is so weird, so singular, and so fearless it almost makes you wonder how she became a worldwide icon with 27 million Instagram followers at a time when the rest of culture seems so safe, boring, and algorithm-driven. Make no mistake, the singer doesn’t think she’s being weird just to be weird. “I want to think that my music is pop. It’s just another way of making pop,” she
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
told The New York
<em>
Times
</em>
</a>
. “There has to exist another way of making it pop! Björk proved it.
<strong>
Kate Bush
</strong>
proved it. And I need to t
</p>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
<img alt="Rachel Sennott, Quenlin Blackwell and Jordan Firstman at the 'I Love LA' premiere" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2025%252F10%252F29%252Fa4eb9926%252Fl1016789.jpg%253Fw%253D640%2526h%253D426%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NjE5MzI5NTkuNjkyNDA3MX0:1vEtFX:qzpEjcOg5c27doVo3KXI9q9mgaznz3LJsOIwYgWQupo" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
</a>
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<div class="iO8" style="font-family: PilatNarrow, Helvetica, sans-serif; font-size: 10px; line-height: 120%; opacity: 0.75; padding-top: 3px;">
Rachel Sennott, Quenlin Blackwell and Jordan Firstman at the 'I Love LA' premiere. Photo by Myles Hendrik
</div>
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In
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Gen Z 'Seinfeld?'
</a>
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Out
</td>
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<td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
West Coast 'Girls'...
</a>
</td>
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<td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
<p class="BBC" style="word-break: break-word; margin-bottom: 8px; margin: 18px 0 0;">
<strong>
Rachel Sennott
</strong>
has gone from a Twitter meme and a guest on
<em>
that one podcast you like
</em>
to a Hollywood darling in just a few years. Now she’s being inaugurated into the HBO Sunday Night pantheon. She stars, writes, and co-created
<em>
<strong>
I Love LA
</strong>
</em>
, a series about a group of 20-something friends awash in influencer culture and quarter-life crises. Those who haven’t seen it are quick to liken it to
<strong>
Lena Dunham
</strong>
’s
<em>
<strong>
Girls
</strong>
</em>
, but critics warn against such easy comparisons. “To present
<em>
I Love LA
</em>
as merely a Gen Z version of
<em>
Girls
</em>
is a reductive way of describing this deeply observant, uncompromising work of television,”
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
writes
</a>
<em>
TV Guide
</em>
. In fact,
<em>
Collider
</em>
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
<em>
</em>
thinks
</a>
it actually might have more in common with another iconic New York show about four friends: “There's a
<em>
<strong>
Seinfeld
</strong>
</em>
energy to
<em>
I Love LA
</em>
, in which it's easy to argue, ‘all these people are terrible, but I love them, and I am rooting for them anyway.’” To put you in the mood, go inside the premiere party
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
here
</a>
.
</p>
<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
This weekend’s film schedule is surprisingly sleepy this week. The Emma Stone-led Bugonia expands nationwide. Cannes hit
<em>
<strong>
Nouvelle Vague
</strong>
,
</em>
<strong>
Richard Linklater
</strong>
’s behind-the-scenes take on the making of French classic
<em>
<strong>
Breathless
</strong>
</em>
, hits limited release before it rolls out fully on Netflix next week. Finally,
<em>
<strong>
Hedda
</strong>
,
</em>
an update on
<strong>
Henrik Ibsen
</strong>
’s classic play
<em>
<strong>
Hedda Gabler
</strong>
</em>
, hits Amazon.
<strong>
Tessa Thompson
</strong>
takes the main role, one that is often described as actress’s equivalent to
<em>
<strong>
Macbeth
</strong>
</em>
. “Thompson makes a classic role entirely her own,”
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
writes
</a>
<em>
The Seattle Times
</em>
.
</p>
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Follow us on:
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