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                              3.27.2026
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                               <tbody>
                                <tr>
                                 <td align="center" class="TKQ" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; font-weight: 700; line-height: 110%; color: #fff;">
                                  “Confidence is everything... When you're confident, it really doesn't matter what you are wearing. ”
                                 </td>
                                </tr>
                                <tr>
                                 <td align="center" class="Cz0" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; font-weight: 700; line-height: 110%; color: #fff; padding-top: 10px;">
                                  —Law Roach
                                 </td>
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                             </td>
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                         </td>
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                      <table align="center" border="0" cellpadding="0" cellspacing="0" class="KrE" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; background: #000;" width="100%">
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                                                 <td style="border-collapse: collapse; word-break: break-word;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
                                                   <img alt="American actress Zendaya Maree Stoermer Coleman on the red carpet of the film The Drama un segreto è per sempre at the Adriano cinema. Rome (Italy), March 26th, 2026 (Photo by Antonietta Baldassarre Insidefoto/Mondadori Portfolio via Getty Images)" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2026%252F3%252F27%252Ffcf772b4%252Famerican-actress-zendaya-maree.jpg%253Fw%253D640%2526h%253D427%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzQ2NDE5OTYuMTA3MjM2MX0:1w6DS0:vO4W1X-ILOFqCF1nREI8IEHr-6gz3kvKek7DP5-zUTM" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
                                                  </a>
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                                                  <div class="iO8" style="font-family: PilatNarrow, Helvetica, sans-serif; font-size: 10px; line-height: 120%; opacity: 0.75; padding-top: 3px;">
                                                   Mondadori Portfolio/Mondadori Portfolio/Getty Images
                                                  </div>
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                                                 <td align="center" class="x4o hn3" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #262fff; padding: 0 0 10px;">
                                                  In
                                                 </td>
                                                </tr>
                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Zendaya's Rhyme Scheme
                                                  </a>
                                                 </td>
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                                              </table>
                                             </td>
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                                     <td style="border-collapse: collapse; word-break: break-word;">
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                                                 <td align="center" class="x4o HcY" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #f24923; padding: 20px 0 10px;">
                                                  Out
                                                 </td>
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                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Method Dressing 101: Introduction to Archive Pulls
                                                  </a>
                                                 </td>
                                                </tr>
                                               </tbody>
                                              </table>
                                             </td>
                                            </tr>
                                            <tr>
                                             <td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               History’s greatest creatives push their mediums forward—and open their forms up to new possibilities. By that standard,
                                               <strong>
                                                Zendaya
                                               </strong>
                                               and her image architect
                                               <strong>
                                                Law Roach
                                               </strong>
                                               may be history’s most important red carpet artists. They popularized the archive pull and practically invented method dressing, but most of all they've mastered using red carpet fashion to tell a story. Yet, the thing about being an innovator is that others tend to copy you. So pulling choice vintage fashion no longer feels quite so special, and method dressing that’s a bit too on-the-nose can feel cringey. So how do Z and Roach innovate? Well, to promote Zendaya’s upcoming film
                                               <em>
                                                <strong>
                                                 The Drama
                                                </strong>
                                               </em>
                                               , in which she plays a would-be-bride whose wedding falls apart days before it's supposed to happen, the duo added a new wrinkle to their storytelling. They’ve based Zendaya’s premiere fashion around the old adage, “Something old, something new, something borrowed, something blue.” Her “old” was
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                the white dress
                                               </a>
                                               she wore to attend her very first Oscars in 2015; the "new" was
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                a custom Louis Vuitton number
                                               </a>
                                               ; and the “borrowed” was
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                an Armani gown
                                               </a>
                                               on loan from
                                               <strong>
                                                Cate Blanchett
                                               </strong>
                                               ’s personal closet. We’ll have to wait a moment before we get to these red carpet Picassos' blue period, but what we’re really left wondering is how they’ll continue to innovate. After a very quiet 2025, Zendaya will have multiple projects to promote.
                                               <em>
                                                The Drama
                                               </em>
                                               is just the warm-up, before
                                               <em>
                                                <strong>
                                                 Dune: Part Three
                                                </strong>
                                               </em>
                                               ,
                                               <em>
                                                <strong>
                                                 Spider-Man: Brand New Day
                                                </strong>
                                               </em>
                                               , and Christopher Nolan’s
                                               <em>
                                                <strong>
                                                 The Odyssey
                                                </strong>
                                               </em>
                                               all come out later this year.
                                              </p>
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                         </td>
                         <td style="border-collapse: collapse; word-break: break-word;">
                         </td>
                        </tr>
                       </tbody>
                      </table>
                     </td>
                    </tr>
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                  </table>
                 </td>
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                <tr>
                 <td style="border-collapse: collapse; word-break: break-word;">
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                   <tbody>
                    <tr>
                     <td style="border-collapse: collapse; word-break: break-word;">
                      <table align="center" border="0" cellpadding="0" cellspacing="0" class="KrE" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; background: #000;" width="100%">
                       <tbody>
                        <tr>
                         <td style="border-collapse: collapse; word-break: break-word;">
                         </td>
                         <td style="border-collapse: collapse; word-break: break-word;" width="740">
                          <table align="center" border="0" cellpadding="0" cellspacing="0" class="avJ" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; max-width: 740px;" width="100%">
                           <tbody>
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                             <td class="C9T" style="border-collapse: collapse; word-break: break-word; padding: 20px 30px;">
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                                     <td style="border-collapse: collapse; word-break: break-word;">
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                                       <tbody>
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                                               <tbody>
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                                                 <td style="border-collapse: collapse; word-break: break-word;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
                                                   <img alt="Prada’s Unsettling Avians " class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2026%252F3%252F27%252Fc3ba6370%252Fcq5damweb33603360.avif%253Fw%253D640%2526h%253D320%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzQ2NDE5OTYuMTA3MzQ2NX0:1w6DS0:KgasQdfvmrE_3d20sxlnf1qIH4d_dSNKGcSZHMt_TFg" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
                                                  </a>
                                                 </td>
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                                             <td style="border-collapse: collapse; word-break: break-word;">
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                                               <tbody>
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                                                 <td align="center" class="x4o hn3" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #262fff; padding: 0 0 10px;">
                                                  In
                                                 </td>
                                                </tr>
                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Prada’s Unsettling Avians
                                                  </a>
                                                 </td>
                                                </tr>
                                               </tbody>
                                              </table>
                                             </td>
                                            </tr>
                                           </tbody>
                                          </table>
                                         </td>
                                        </tr>
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                                      </table>
                                     </td>
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                                    <tr>
                                     <td style="border-collapse: collapse; word-break: break-word;">
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                                       <tbody>
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                                           <tbody>
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                                             <td style="border-collapse: collapse; word-break: break-word;">
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                                               <tbody>
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                                                 <td align="center" class="x4o HcY" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #f24923; padding: 20px 0 10px;">
                                                  Out
                                                 </td>
                                                </tr>
                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Jumping To Conclusions
                                                  </a>
                                                 </td>
                                                </tr>
                                               </tbody>
                                              </table>
                                             </td>
                                            </tr>
                                            <tr>
                                             <td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               <strong>
                                                Jordan Wolfson
                                               </strong>
                                               is
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                a divisive art-world superstar
                                               </a>
                                               whose work often uses technology to leave the viewer with a very human sense of unease. He’s been called an “edgelord” by
                                               <em>
                                                The New Yorker
                                               </em>
                                               and a “shockjock” by
                                               <em>
                                                The Guardian
                                               </em>
                                               . His most notable works include
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                a gyrating robot dancer
                                               </a>
                                               that locks eyes with its watcher through a mirror, and a VR experience in which the audience gets to experience what it's
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                like to be beaten by a crowd
                                               </a>
                                               . So if you hire Wolfson to help create a fashion ad and a good part of the public is creeped out by it, do you consider that a success? Prada is currently finding out. After photographer
                                               <strong>
                                                Oliver Hadlee Pearch
                                               </strong>
                                               shot a group of Prada’s celeb ambassadors (
                                               <strong>
                                                Carey Mulligan
                                               </strong>
                                               and
                                               <strong>
                                                Hunter Schafer
                                               </strong>
                                               included) Wolfson added unsettling, digital, bird-like humanoids wearing leather boots and gloves to the images. Find them posted anywhere on Instagram, and you’ll see people reacting in horror in the comment section. The Substack essay industrial complex certainly has had a
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                lot
                                               </a>
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                to
                                               </a>
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                say
                                               </a>
                                               , too. Many were outraged by Prada's use of artificial intelligence, despite there being no confirmation of the fact or obvious reason to believe Wolfson had used it at all (Pixar released
                                               <em>
                                                <strong>
                                                 Toy Story
                                                </strong>
                                               </em>
                                               more than thirty years ago, are we all not used to CGI images by now? Besides, Wolfson has long used similar CGI in his previous work). No one expects the entire general public to be familiar with Wolfson’s oeuvre, and there’s certainly good reason to be wary of the use of AI in the luxury space, but is this another case of uniformed mob outrage? (Was
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                dragging
                                               </a>
                                               <strong>
                                                Chappell Roan
                                               </strong>
                                               last week not enough for the internet?)  Surely, Prada wouldn’t have collaborated with someone with Wolfson’s reputation in the first place if it wasn’t ready to weather a little controversy. Besides, these Internet micro-outrage cycles actually have a lot in common with fashion trends: they’re all you can think about in one moment, but by next season everyone has completely forgotten about them.
                                              </p>
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                                 </td>
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                              </table>
                             </td>
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                         </td>
                         <td style="border-collapse: collapse; word-break: break-word;">
                         </td>
                        </tr>
                       </tbody>
                      </table>
                     </td>
                    </tr>
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                  </table>
                 </td>
                </tr>
                <tr>
                 <td style="border-collapse: collapse; word-break: break-word;">
                  <table align="center" border="0" cellpadding="0" cellspacing="0" class="card-458534446" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; --slot1: #000; --slot2: #fff; --slot3: #262fff; --slot4: #f24923; --slot5: #000;" width="100%">
                   <tbody>
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                                                  In
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Weddings Gone Wrong
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                                                  Out
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Sticking The Landing
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                                              <p class="BBC" style="word-break: break-word; margin-bottom: 8px; margin: 18px 0 0;">
                                               Cinemas are offering up two mildly-reviewed horror comedies this weekend, if you find yourself so inclined. Starring
                                               <strong>
                                                Lili Reinhart
                                               </strong>
                                               ,
                                               <strong>
                                                Lola Tung
                                               </strong>
                                               , and mega-influencer
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                <strong>
                                                 Emma Chamberlain
                                                </strong>
                                               </a>
                                               ,
                                               <em>
                                                <strong>
                                                 Forbidden Fruits
                                                </strong>
                                               </em>
                                               features a group of girls who run a cult out of a mall. The critical verdict seems to be that it’s far from a masterpiece, but does have a bit of stylish fun if the concept appeals to you.
                                               <em>
                                                <strong>
                                                 They Will Kill You
                                                </strong>
                                               </em>
                                               , meanwhile, focuses on what may-or-may-not-be a cult run out of an infamous Manhattan skyrise where people tend to turn up missing.
                                               <strong>
                                                Zazie Beetz
                                               </strong>
                                               is apparently incredible in it, but like its other box office competitor, it doesn’t quite stick the landing. In New York City only, you’ll find
                                               <em>
                                                <strong>
                                                 Our Hero, Balthazar
                                                </strong>
                                               </em>
                                               , a film so provocative it was rejected by both Sundance and SXSW. Why? Well, it's a bit of a post-woke dark comedy about school shootings and liberal activism. Essentially, a trust fund kid in New York tries to woo his liberal crush by traveling to Texas to attempt to stop a school shooting.
                                               <em>
                                                Hmmm
                                               </em>
                                               . “Alternately disturbing and brutally funny,” writes
                                               <em>
                                                Variety
                                               </em>
                                               .
                                              </p>
                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               Netflix, meanwhile, gives us the
                                               <strong>
                                                Duffer Brothers
                                               </strong>
                                               ' very first post-
                                               <em>
                                                <strong>
                                                 Stranger Things
                                                </strong>
                                               </em>
                                               production effort with
                                               <em>
                                                <strong>
                                                 Something Very Bad Is Going to Happen
                                                </strong>
                                               </em>
                                               .
                                               <em>
                                                <strong>
                                                 Daisy Jones
                                                </strong>
                                               </em>
                                               ’s
                                               <strong>
                                                Camila Morrone
                                               </strong>
                                               and
                                               <em>
                                                <strong>
                                                 The White Lotus
                                                </strong>
                                               </em>
                                               ’s
                                               <strong>
                                                Adam DiMarco
                                               </strong>
                                               play an engaged couple set to get married at a cabin in the woods when, well, stranger and stranger things begin to happen. It’s all a metaphor for thinking you’re about to marry the wrong person, if you can’t tell. “I can’t say I was ever once bored,” writes
                                               <em>
                                                The Hollywood Reporter.
                                               </em>
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