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           <strong>
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             Annual Distinguished Lecture on the Arts of South and Southeast Asia
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           <font style="color:#6e6e6e;">
            Friday, March 20, 6–7 pm
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           <br/>
           <br/>
           In Calcutta, the cosmopolitan colonial capital of 19th-century India, artists and artisans adapted new technologies of mechanical reproduction to render the Hindu gods more accessible and affordable. During this time, they pioneered the chromolithographic religious print, a form of popular devotional imagery that became ubiquitous in 20th-century India. This lecture explores how this new genre emerged and proliferated into the pervasive visual language of modern India.
           <br/>
           <br/>
           Presented in conjunction with the exhibition
           <a style="color:#000000;">
            <em>
             Household Gods: Hindu Devotional Prints, 1860–1930
            </em>
           </a>
           .
           <br/>
           <br/>
           Free with Museum admission, though advance registration is required.
           <em>
            Note: Space is limited; first come, first served. Registration does not guarantee admission once the lecture hall reaches capacity.
           </em>
           <br/>
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           <strong>
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             Debbie Millman and Cy Gavin—Ecologies of Painting
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           <font style="color:#6e6e6e;">
            Sunday, March 22, 2–3 pm
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           <br/>
           <br/>
           Join painter Cy Gavin and designer, author, and podcast host Debbie Millman for a conversation exploring art and nature. Highlighting a new rotation in the European Paintings galleries
           <em>
            Ecologies of Painting
           </em>
           (Gallery 638), which explores how human and nonhuman histories are intertwined, Gavin and Millman will reflect on the role aesthetics play in defining our understanding of the natural and built environments. Learn more about Gavin's practice and how he creates interpretations of sites that have been shaped over time by human intervention and geological or cosmic phenomena.
           <br/>
           <br/>
           Free with Museum admission, though advance registration is required.
           <em>
            Note: Space is limited; first come, first served.
           </em>
           <br/>
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           <strong>
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             Celebrating George Morrison
            </a>
           </strong>
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           <font style="color:#6e6e6e;">
            Friday, March 27, 6–7 pm
           </font>
           <br/>
           <br/>
           Join us for an engaging conversation investigating George Morrison's artistic practice and how he connected his creativity with activism. Discover how Morrison's love of New York City and jazz music, as well as his artistic networks and Ojibwe identity, shaped his aesthetic. Hear from those who knew him, and learn about Morrison's cultural influence and impact as an Abstract Expressionist painter in the art world of mid-twentieth-century New York and beyond.
           <br/>
           <br/>
           Presented in conjunction with the exhibition
           <a style="color:#000000;">
            <em>
             The Magical City: George Morrison's New York
            </em>
           </a>
           .
           <br/>
           <br/>
           Free with Museum admission, though advance registration is required.
           <em>
            Note: Space is limited; first come, first served.
           </em>
           <br/>
           <br/>
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           <strong>
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             Painting, Writing, and Exile: Peter Weiss in Sweden
            </a>
           </strong>
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           <font style="color:#6e6e6e;">
            Friday, April 3, 6–7 pm
           </font>
           <br/>
           <br/>
           In this year's
           <strong>
            Leonard A. Lauder Distinguished Scholar Lecture
           </strong>
           , join Frederic Schwartz as he examines the little-known early ventures of major German author Peter Weiss. Although he is celebrated today for his radical plays and monumental novel
           <em>
            The Aesthetics of Resistance
           </em>
           , which uses the Pergamon Altar as a starting point for its narrative, Weiss began his professional career as a painter, not a writer. Furthermore, he wrote his first literary works in Swedish, the language of the country to which he fled from Germany in 1938 and which remained his home for the rest of his life. In this lecture, Professor Schwartz argues that the Swedish writings provide a new context for Weiss's later, politically committed German work, and that considering his training as a painter at the Academy of Art in Prague reveals that the visual arts were always fundamental to his conception of both literature and politics.
           <br/>
           <br/>
           Free with Museum admission, though advance registration is required.
           <em>
            Note: Space is limited; first come, first served.
           </em>
           <br/>
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             Household Gods: Hindu Devotional Prints, 1860–1930
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             The Magical City: George Morrison's New York
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            Annual Distinguished Lecture on the Arts of South and Southeast Asia: Gods at the Gate of Modernity—Religious Arts in Colonial Calcutta
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            Debbie Millman and Cy Gavin—Ecologies of Painting
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            Painting, Writing, and Exile: Peter Weiss in Sweden
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             Subramanya and his consorts Mahavalli and Devasena (Shri Shanmukha Subramania Swami)
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           . Ravi Varma Press, Karla-Lonavala, Maharashtra, ca.1900–1915. Chromolithograph on paper, 19 7/8 × 13 7/8 in. The Metropolitan Museum of Art, Purchase, Friends of Asian Art, 2021 (2021.222) | Cy Gavin (American, born Pittsburgh 1985).
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             Untitled (Paths, crossing—blue)
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           (detail), 2022. Acrylic and vinyl paints on canvas, 86 in. × 11 ft. 4 1/16 in. (218.4 × 345.6 cm). The Metropolitan Museum of Art, New York, Purchase, Alf and Clara Naman and Lila Acheson Wallace Gifts, 2023 (2023.349) © Cy Gavin. Courtesy of the artist and Gagosian. Photo: Rob McKeever. | Installation view of the exhibition
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            The Magical City: George Morrison's
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           New York © The Metropolitan Museum of Art | Detail of the Pergamon Altar, Pergamon Museum, Berlin. Photo by Frederic Schwartz
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