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<a target="_blank">
<img alt="Viral ‘Get ’Em Banned’ Peloton Instructor Kendall Toole" height="auto" src="https://inboxflows.com/_/image/https%253A%252F%252Fmedia.sailthru.com%252Ffss%252Ffbht11%252F46d009b7-51a1-4fba-aa02-f8a85c562b66%252FGQ2602_TapIn_KendallToole.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtZWRpYS5zYWlsdCIsInRpbWUiOjE3NzE4NzA4ODAuMDg4MTIwMn0:1vuaYa:8Y_eeO7A-M_7FjGVg1nQVnN2ZMmFjkmR6WSVa6xkjWA" style="display:block;height:auto;border:0;width:100%" title="Viral ‘Get ’Em Banned’ Peloton Instructor Kendall Toole" width="570"/>
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<p style="margin:0;margin-bottom:16px">
You don’t have to be chronically online to be familiar with
<a style="text-decoration: underline; color: #000000;">
one of the best reaction clips
</a>
circulating right now: a blonde
<a style="text-decoration: underline; color: #000000;">
Peloton
</a>
instructor, looking more steely-gazed and austere than Linda Hamilton in
<a style="text-decoration: underline; color: #000000;">
<em>
Terminator 2
</em>
</a>
, kicking someone out of her class with the iconic line “Get ‘em banned—we don’t do that here,” delivered as if she's banishing her unseen agitator to the Phantom Zone. It’s since been co-opted for everything from jokes about TV shows to earnestly calling out trolls on Twitter. But the meme’s narrative took a turn when the main character herself, Kendall Toole, started replying to tweets about her—particularly one that pegged her performance in the clip as utilizing the famed “Kubrick Stare.”
</p>
<p style="margin:0;margin-bottom:16px">
According to Kendall, this was entirely intentional—turns out she’s a shameless cinephile who can go from talking Kubrick to giving mini-
<a style="text-decoration: underline; color: #000000;">
Hitchcock
</a>
<a style="text-decoration: underline; color: #000000;">
dissertations
</a>
in the span of a few
<a style="text-decoration: underline; color: #000000;">
Tweets
</a>
. Naturally, I had to extend an invitation to her to come on Tap In, explain what the hell is actually going on in the internet’s favorite clip and more importantly, talk all things film.
</p>
<p style="margin:0;margin-bottom:16px">
It turns out the clip is over two years old and Kendall isn’t at Peloton anymore; in November, she launched her own wellness app, NKOClub. “There's mental wellness stuff, five types of movement,” Kendall says. “It's just continuing to grow and evolve—if they liked my energy of standing on business, you could get that all the time every week with new classes.” Below, Kendall talks about just what kind of business she was standing on in that class, her favorite Hitchcock films, and how much of a movie nerd she really is.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
<em>
GQ:
</em>
</strong>
<strong>
Whenever something goes viral, after a while the source and the context get muddled or lost altogether. So, to clarify, what was actually happening in that “Get ‘em banned” moment?
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
<em>
Kendall Toole:
</em>
So the backstory of this is kind of wild because it had a moment in 2024 right after it happened—I believe this class was in 2023, and there was this habit that started happening. People would make these leaderboard usernames, and it was very Bart Simpson. It would be something like, H-U-G-H, underscore and then A-N-U-S-S. I got a kick out of it, and I would get gotten a lot. It’d be like, "Hugh Anuss, happy 200.. .damn it." And then what are you going to do? You got to play with it, it's live. People would clip that and put it on TikTok, and then it became like, "Oh, I can make this a moment. Let me try to get her when she teaches her classes."
</p>
<p style="margin:0;margin-bottom:16px">
But unfortunately, in this particular instance, it was a new username and it was terrible. The rumor is that the leaderboard name was “Pedalphile,” which is still heinous, but that is not what it was. It was something super awful, super, super racist. I saw it, and I was shocked, because not only was someone trying to get me to say that, but other people in the class could see that leaderboard name, and I'm like, "This is so uncomfortable.” It was just disgusting. So clearly I got mad—really mad.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
But also, you were visibly exercising restraint—no pun intended.
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
Yeah, I was trying to be professional… I'm live on camera, there's thousands of people in this class. We have no tape delay, this is livestream. I'm going to hear from my boss later if I don't handle it right. But then I'm also like,
<em>
We have to protect the community, because this is screwed up
</em>
. And then I'm also like,
<em>
How do I try to make it an empowering thing
</em>
?
</p>
<p style="margin:0;margin-bottom:16px">
And so at that point I was like, "Okay, no—we don't do that here." And I was like, "I am not the one," because I was so mad, but I couldn't express why I was mad without getting more attention. Then I made the rest of the class really hard because I was angry—like,
<em>
Well, we're all going to work through this together.
</em>
</p>
<p style="margin:0;margin-bottom:16px">
The first time I went semi-viral, people were saying "Oh, she's so cringe. What's she so pissed off about?" I know what it was. I had a right to be pissed off. And then now, for it to blow up this last week, it was wild. It was beautiful that people were using the clip as, like, "If we don't like something, we want to stand against something. This is the energy that we want." And now everyone's calling me “mother,” which—I'm honored. I'll be mama, thank you.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Do you know what caused it to have a resurgence?
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
I have no clue. One of our friends who's in marketing asked "Did y'all plant this? This is too perfect." If we could have planted that, we would've done it around launch back in November. My instinct is that because of what's going on with the Epstein files coming out and all of the very valid outrage, it’s connected because people thought that moment was about pedophiles—but still, I don't know. And this is what's scary because the internet lives forever.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
It seems like you’re being a good sport about it. You've been engaging on social media, which is how I saw the Kubrick thing.
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
Virality is fascinating too, how it transfers. It started on X and now it's popping off on TikTok and Instagram. It’s still like, "Huh. What? I don't get it."
</p>
<p style="margin:0;margin-bottom:16px">
But yeah, I went to film school at USC. Huge cinephile, absolutely love movies, always have. I geekily dressed up as Lauren Bacall for Halloween in the seventh grade, nobody knew who it was, I did the whole Lauren Bacall eye thing with the red lip.
</p>
<p style="margin:0;margin-bottom:16px">
I did this series when I was at Peloton called Movie Buff, and it was like movie scores and film references in all of these classes. In one of them, I was like,
<em>
I want to do a Kubrick stare
</em>
, but also, with the angle of the cameras and just the eyes that I have—I might have been pulling the Kubrick stare for a minute in my subconscious anyway. That was deep in my subconscious, and I probably did that semi-strategically because I was so mad, and I wanted to deliver the emotion of it. So I laughed when someone was talking about Kubrick and they're like, "Oh my God, yes, cinephile queen." And then I get into a discourse about Hitchcock…
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Yeah, about
</strong>
<em>
<strong>
Vertigo
</strong>
</em>
<strong>
. That really spoke to me, because that might be my favorite movie of all time.
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
Oh my God. Hitchcock is my number one. At USC we watched every single Hitchcock, anything he created from short films when he was younger, all the way to the end. We had four Saturdays where we'd watch movies from 10:00 AM till 10:00 PM, and you had to go to at least two of them or watch on your own to be able to be good for the final. I love how good he was at building tension. We live in such a CG, overdone, overproduced world. I think we're on the verge of another golden age. I think we really need it badly. I'm hoping we start to pull back into what we know, But yeah, Hitchcock is definitely up there. I'm a big
<em>
Rear Window
</em>
girl.
<em>
Vertigo
</em>
is insane. I mean,
<em>
Strangers on a Train
</em>
was good.
</p>
<p style="margin:0">
<a rel="noopener" style="text-decoration: underline; color: #000000;" target="_blank">
<em>
<u>
<strong>
Click here for the full interview.
</strong>
</u>
</em>
</a>
</p>
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<p style="margin:0;margin-bottom:15px">
<strong>
Between the Taps
</strong>
</p>
<p style="margin:0">
(
<em>
A weekly roundup of everything else I consumed since the last Tap In)
</em>
</p>
</div>
</td>
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<p style="margin:0;margin-bottom:16px">
<strong>
<em>
Undertone
</em>
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
Not to go all Kendall Toole on you but a fun fact about me is, in film school, in addition to studying writing, I also got pretty nice at editing, especially in sound. But indulging in an art form that encourages obsessing over miniscule details while already being woefully OCD felt like a recipe for mental disaster, so I haven’t touched ProTools, Avid or a Steenbeck reel since. All of that is to say, a horror movie whose whole shtick is elite sound design sounded very much like my shit, so I’m happy to say this indie—which has been making its rounds in the community since last summer, and is finally going wide courtesy of A24 next month—works pretty well. It sounds like it should be tedious—one location, about creepy things happening to a woman who hosts a fake-creepy podcast—and at times, it does feel about as exciting as watching a podcast on YouTube. But for the most part it starts off kinda cozily and then has a lot of fun using sound to let the viewer’s imagination conjure up worse images than writer-director Ian Tuason could possibly conjure up himself.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Baby Keem, live at The Lot at Formosa
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
I love when rappers find a way to Trojan Horse unflinchingly personal themes into their music without making the songs sound implicitly “serious.” The title track that opens Baby Keem’s long-awaited second album, for example, sets the tone for all the family drama he’s going to unpack on this project, but presented in the mold of a trademark Keem moshpit banger, on a Cardo beat, no less. It seemed like the crowd at this livestream event was a little taken aback by all the vulnerability, but it was dope to see how he’s evolved not only as a rapper but a performer as well. Sometimes first-listen parties are boring and redundant, or hinge on guests to keep the excitement up, but Keem made each song feel like a distinct thing—rapping along to some with no vocals, creating scenes for others, and at one point, rapping into the camera so enigmatically that I’m sure it probably hit harder for the people watching at home. “Circus Circus Freestyle” is crazy.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Sam Jay live at The Improv
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
I’m not sure what Sam Jay has been up to lately, but I sure hope she’s cooking up a special, because the set I saw her put on over the holiday weekend was casually incredible. Most comics who take on current events end up coming off hacky or cliched, but the way she deftly weaves jokes about Trump, aliens, and right-wing LGBTQ panic into one cohesive theme is impressive and most importantly, legitimately laugh-out-loud funny. There may be a slight handicap here in that Freddie Gibbs was sitting two or three tables down from me cracking up with an infectiously baritone hearty cackle, but I left there eager to see more. She easily stole the night—no small feat amid a strong lineup, curated by my boy Sean Dickerson, that started with Nikki Glaser doing a full 180 from her sanitized Golden Globes monologue with a hilariously fucked up bit about Epstein.
</p>
<p style="margin:0">
<strong>
Jay-Z, “Dead Presidents”
</strong>
</p>
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<p style="margin:0">
Real ones already had the original promo-single version of “Dead Presidents” because we aren’t slaves to streaming, but regardless, I can’t front as if Jay formally releasing “DP 1” to DSPs to commemorate the single’s 30th anniversary isn’t exciting. Let’s hope that between this and
<a style="text-decoration: underline; color: #000000;">
the return of the umlaut
</a>
, there are many more tricks up his sleeve to celebrate his debut album—and thus, for all intents and purposes, his career—hitting the big 3-0 this summer.
</p>
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<strong>
Related reading from
<em>
GQ
</em>
:
</strong>
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Read previous editions of Tap In here.
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Inside ‘Industry’'s Most Intense Episode Ever
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The Viral Peloton Instructor Explains “Get ‘Em Banned”
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