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   Starring Nathan Lane, Laurie Metcalf, Christopher Abbott, and Ben Ahlers. Directed by Joe Mantello.
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                                <span align="center" style="color: #000000; font-family:Arial,Helvetica,sans-serif; font-size: 11px; line-height: 14px; text-align:center;">
                                 View this email as a webpage
                                 <a data-linkto="other" style="color:#0176d3;text-decoration:none;" title="here">
                                  here
                                 </a>
                                 .
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                            <title>
                             Arthur Miller’s Death of a Salesman — Broadway
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                             Nathan Lane, Laurie Metcalf &amp; Christopher Abbott in Arthur Miller’s Death of a Salesman. Limited engagement on Broadway.
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                              <!-- ============================================================ -->
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                                 <img alt="“A perfect ‘Salesman.’ It is a triumph.” — Helen Shaw, The New York Times. Critic’s Pick." height="268" src="https://inboxflows.com/_/image/https%253A%252F%252Fstaging.arthousenewyork.com%252Fdoas%252Feblasts%252Fbroadwaycom_04142026%252Fslices%252F01_top_red.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZzdGFnaW5nLmFydCIsInRpbWUiOjE3NzYwODk1OTQuOTg5NTc1MX0:1wCI2M:R2adqvNZdgOr2iCv63lOgubH4Mi4rc-nUFdDItvP2Yg" style="display:block; width:600px; height:auto;" width="600"/>
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                                 <img alt="Nathan Lane, Laurie Metcalf, Christopher Abbott in Arthur Miller’s Death of a Salesman. With Ben Ahlers. Directed by Joe Mantello. Get Tickets." height="914" src="https://inboxflows.com/_/image/https%253A%252F%252Fstaging.arthousenewyork.com%252Fdoas%252Feblasts%252Fbroadwaycom_04142026%252Fslices%252F02_dark_cast.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZzdGFnaW5nLmFydCIsInRpbWUiOjE3NzYwODk1OTQuOTg5NjkwOH0:1wCI2M:3dIHKbuqaml9YfI4uSiTLixVjgfU00bqgjK0NpGVx1k" style="display:block; width:600px; height:auto;" width="600"/>
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                                <!-- Review 1: Adam Feldman, Time Out -->
                                <p style="margin:0 0 2px 0; font-family:helvetica,arial,sans-serif; font-size:42px; color:#EC3C2D; line-height:1; letter-spacing:3px;">
                                 “★★★★★
                                </p>
                                <p style="margin:0 0 3px 0; font-family:helvetica,arial,sans-serif; font-size:42px; color:#EC3C2D; line-height:1;">
                                 Attention must be paid.
                                </p>
                                <p style="margin:0 0 10px 0; font-family:helvetica,arial,sans-serif; font-size:18px; color:#1a1a1a; line-height:1.1;">
                                 This shattering ‘Salesman’ is the best I have ever encountered, and the best I am likely ever to see.
                                 <span style="color:#EC3C2D;">
                                  ”
                                 </span>
                                </p>
                                <p style="margin:0 0 28px 0; font-family:helvetica,arial,sans-serif; font-size:10px; font-weight: bold; color:#EC3C2D; text-transform:uppercase; letter-spacing:1.5px;">
                                 Adam Feldman, Time Out
                                </p>
                                <!-- Review 2: Sara Holdren, New York Magazine -->
                                <p style="margin:0 0 10px 0; font-family:helvetica,arial,sans-serif; font-size:32px; color:#1a1a1a; line-height:1.0;">
                                 <span style="color:#EC3C2D;">
                                  “
                                 </span>
                                 ‘Death of a Salesman’ lands like a haymaker to the temple.
                                 <span style="color:#EC3C2D;">
                                  ”
                                 </span>
                                </p>
                                <p style="margin:0; font-family:helvetica,arial,sans-serif; font-size:10px; font-weight: bold; color:#EC3C2D; text-transform:uppercase; letter-spacing:1.5px;">
                                 Sara Holdren, New York Magazine
                                </p>
                               </td>
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                              <!-- ROW 4: Production photo 1 — IMAGE                            -->
                              <!-- ============================================================ -->
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                              <!-- ROW 5: Beige review block 2 — LIVE TEXT                      -->
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                                <!-- Review 1: Johnny Oleksinski, New York Post -->
                                <p style="margin:0 0 2px 0; font-family:helvetica,arial,sans-serif; font-size:40px; color:#EC3C2D; line-height:1; letter-spacing:1px;">
                                 “★★★★ A triumph!
                                </p>
                                <p style="margin:0 0 0 0; font-family:helvetica,arial,sans-serif; font-size:36px; color:#1a1a1a; line-height:1.0;">
                                 The best ‘Salesman’
                                 <br/>
                                 I have ever seen;
                                 <br/>
                                 superb and unforgettable.
                                </p>
                                <p style="margin:0 0 10px 0; font-family:helvetica,arial,sans-serif; font-size:19px; color:#1a1a1a; line-height:1.2;">
                                 Nathan Lane generates enough electricity to power
                                 <br/>
                                 Times Square. Nobody embodies working-class rage
                                 <br/>
                                 and malaise with as much guts or ferocity as
                                 <br/>
                                 Laurie Metcalf. An ensemble that is sublime
                                 <br/>
                                 from stem to stern. This pummeling ‘Salesman’
                                 <br/>
                                 is the finest work of Joe Mantello’s career.
                                 <span style="color:#EC3C2D;">
                                  ”
                                 </span>
                                </p>
                                <p style="margin:0 0 28px 0; font-family:helvetica,arial,sans-serif; font-size:10px; font-weight: bold; color:#EC3C2D; text-transform:uppercase; letter-spacing:1.5px;">
                                 Johnny Oleksinski, New York Post
                                </p>
                                <!-- Review 2: Chris Jones, Chicago Tribune -->
                                <p style="margin:0 0 0 0; font-family:helvetica,arial,sans-serif; font-size:36px; color:#1a1a1a; line-height:1.00;">
                                 <span style="color:#EC3C2D;">
                                  “
                                 </span>
                                 Joe Mantello’s
                                 <br/>
                                 exquisitely directed,
                                 <br/>
                                 <span style="color:#EC3C2D;">
                                  devastating ‘Salesman’
                                  <br/>
                                  will sock you in the gut.
                                 </span>
                                </p>
                                <p style="margin:0 0 10px 0; font-family:helvetica,arial,sans-serif; font-size:20px; color:#1a1a1a; line-height:1.2;">
                                 It sure did me. An elegy for a life, unremarkable
                                 <br/>
                                 but of worth. This ‘Salesman’ is as
                                 <br/>
                                 remarkable as it is devastating.
                                 <span style="color:#EC3C2D;">
                                  ”
                                 </span>
                                </p>
                                <p style="margin:0; font-family:helvetica,arial,sans-serif; font-size:10px; font-weight: bold; color:#EC3C2D; text-transform:uppercase; letter-spacing:1.5px;">
                                 Chris Jones, Chicago Tribune
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                                    GET TICKETS
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                                <!-- Review 1: Dalton Ross, Entertainment Weekly -->
                                <p style="margin:0 0 0 0; font-family:helvetica,arial,sans-serif; font-size:36px; color:#EC3C2D; line-height:1.00;">
                                 “Grade: A.
                                 <span style="color:#1a1a1a;">
                                  ‘Salesman’
                                  <br/>
                                  feels as urgent as ever.
                                 </span>
                                </p>
                                <p style="margin:0 0 10px 0; font-family:helvetica,arial,sans-serif; font-size:17px; color:#1a1a1a; line-height:1.6;">
                                 A powerhouse cast at the top of their game.
                                 <span style="color:#EC3C2D;">
                                  ”
                                 </span>
                                </p>
                                <p style="margin:0 0 28px 0; font-family:helvetica,arial,sans-serif; font-size:10px; font-weight: bold; color:#EC3C2D; text-transform:uppercase; letter-spacing:1.5px;">
                                 Dalton Ross, Entertainment Weekly
                                </p>
                                <!-- Review 2: Adrian Horton, The Guardian -->
                                <p style="margin:0 0 10px 0; font-family:helvetica,arial,sans-serif; font-size:36px; color:#EC3C2D; line-height:1.00;">
                                 “A tremendous new
                                 <br/>
                                 ‘Salesman.’
                                 <span style="color:#1a1a1a;">
                                  A stark
                                  <br/>
                                  and gutting tragedy.
                                 </span>
                                 ”
                                </p>
                                <p style="margin:0; font-family:helvetica,arial,sans-serif; font-size:10px; font-weight: bold; color:#EC3C2D; text-transform:uppercase; letter-spacing:1.5px;">
                                 Adrian Horton, The Guardian
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