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<div class="fullWidth" style="max-width:570px">
<a target="_blank">
<img alt="Dua Lipa in Cannes 2026" height="auto" src="https://inboxflows.com/_/image/https%253A%252F%252Fmedia.sailthru.com%252Ffss%252Ffbht11%252Fa62b0f90-dbc7-41ef-88e3-d09caf1e2ae4%252F2605_TapIn_Dua%252BLipa.png/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtZWRpYS5zYWlsdCIsInRpbWUiOjE3NzkzODY3NDEuMTM4NTY4fQ:1wQ7m9:9hF-pHXe6y3VOFmBds4TCXToAcbPgask9EEQ7ESeano" style="display:block;height:auto;border:0;width:100%" title="Dua Lipa in Cannes 2026" width="570"/>
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<div style="color:#000;direction:ltr;font-family:Helvetica Neue,Helvetica,Arial,sans-serif;font-size:15px;font-weight:400;letter-spacing:0;line-height:1.5;text-align:left;mso-line-height-alt:23px">
<p style="margin:0;margin-bottom:16px">
“I don't get it,” Dua Lipa says matter-of-factly, regarding jet lag, with a twinkle in her eye. “I don't know what that is.” The joke, of course, is that the prolific pop star is perennially on the go, popping up on the best beach in any given continent, in any city where the motion is—if she’s not supplying the motion herself with her mere presence, that is.
</p>
<p style="margin:0;margin-bottom:16px">
So of course last week she was in
<a style="text-decoration: underline; color: #000000;">
Cannes
</a>
, a luxurious city in the South of France currently in the vice grip of the world’s most prestigious annual film festival, where tuxedo-clad men and gowned-down dates ambled up and down Boulevard de la Croissette to and from premieres and the street stayed in a constant stasis of bumper-to-bumper black-SUV traffic and locals flanked every hotel entrance hoping for a sighting or an autograph.
</p>
<p style="margin:0;margin-bottom:16px">
I stayed in the eye of the storm, at the Hotel Martinez, a regal hub where the elevator is always too busy to wait on, and walking up isn’t much easier because the grand staircase is always beset by women both famous and otherwise staging impromptu photoshoots, complete with lighting (no matter what time of day or night, mind you), and you can reliably catch Juliane Moore having breakfast amongst the civilians in the morning (or so it’s said—I kept missing her).
</p>
<p style="margin:0;margin-bottom:16px">
I did the tuxedo thing myself for the premiere of
<a style="text-decoration: underline; color: #000000;">
Javier Bardem
</a>
’s new film
<em>
The Beloved
</em>
, an intimate drama from Rodrigo Soroyen, not unlike a Spanish
<em>
Sentimental Value
</em>
. Walking up those red steps felt like walking on sacred ground—these are the same steps
<a style="text-decoration: underline; color: #000000;">
Vincent Chase
</a>
and the gang, all the way from the humble blocks of Queens, climbed to debut
<em>
Medellin
</em>
, you know? Despite being (I assume) very old, the theater seats are surprisingly comfortable, a very solid environment to take in some highbrow cinema. My only note to the world’s most prestigious film festival: Especially counting the 15-minute
<a style="text-decoration: underline; color: #000000;">
standing ovations
</a>
(which are not exaggerated, I’m thrilled to report), most of these movies are way too long to not give out nary a snack. At least a bottle of terrible cardboard boxed water.
</p>
<p style="margin:0;margin-bottom:16px">
The highlight, though, was sitting down with Dua, who I caught at a beautiful seaside space hosted by Nespresso, longtime sponsors of the festival, ahead of a party she attended there later that night. Given the context, I thought it’d be fun to engage Dua on anything but music. So enjoy us talking through her favorite directors, her favorite moviegoing experience with
<a style="text-decoration: underline; color: #000000;">
Callum Turner
</a>
so far this year, if she’d consider acting (spoiler: she already has) and inadvertently revealing what would be in her Letterboxd Top 4 (even though she swears she doesn’t have one.)
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Do you have a secret Letterboxd that you're not telling the streets about?
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
I don't actually, I don't, but I'm trying to think what else that I love that I would put there. I was just asked some of my favorite French films and I said,
<em>
A Prophet
</em>
, which I think is amazing.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Have you seen anything recently that you liked?
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
I loved
<em>
The Drama
</em>
.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Have you seen his other film,
</strong>
<a style="text-decoration: underline; color: #000000;">
<em>
<strong>
Dream Scenario
</strong>
</em>
</a>
<strong>
?
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
No, I haven't seen
<em>
Dream Scenario
</em>
. I should watch that too, because I
<em>
loved The Drama
</em>
.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
What'd you like about it?
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
I mean, it was really fun watching it in the cinema, just watching it with the crowd and everybody being so involved in it.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
A crowd? Like, civilians?
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
Yeah, I go all the time.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Really?
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
Yeah, of course.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Wherever you are.
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
Wherever I am. Especially when I'm on tour. I go to the cinema lots in different places, but this one was in London. It was just so fun. All the gasps and the excitement and it did have you on the edge of your seat and it was funny and it was intense. And it's one of those things that you're like, "Wait, I got to ask my partner, what's the worst thing you've ever done?" Me and Cal went together to go watch it and then we realized we'd already told each other, but it's funny. It's a conversation starter. I love things like that that just become a conversation outside of the cinema.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Clearly you didn't freak each other out with your answers.
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
No, I think we're good. I think we're good. I think we like each other.
</p>
<p style="margin:0">
<em>
<u>
<strong>
<a rel="noopener" style="text-decoration: underline; color: #000000;" target="_blank">
Click here to read the full interview.
</a>
</strong>
</u>
</em>
</p>
</div>
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<p style="margin:0;margin-bottom:15px">
<strong>
Between the Taps
</strong>
</p>
<p style="margin:0">
(
<em>
A weekly roundup of everything else I consumed since the last Tap In)
</em>
</p>
</div>
</td>
</tr>
</table>
<table border="0" cellpadding="10" cellspacing="0" class="paragraph_block block-3" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word" width="100%">
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<div style="color:#000;direction:ltr;font-family:Helvetica Neue,Helvetica,Arial,sans-serif;font-size:15px;font-weight:400;letter-spacing:0;line-height:1.5;text-align:left;mso-line-height-alt:23px">
<p style="margin:0;margin-bottom:16px">
<strong>
Mach-Hommy,
</strong>
<strong>
<em>
57.36AM
</em>
</strong>
<strong>
at the Vinyl Room
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
“Is everyone in here familiar with the sun?” Mach-Hommy queried the room with a straight face, as if he was doing stand-up. “I have to ask—this is California.” The elusive, uber-mysterious rapper—known for kicking third-eye-open raps, almost always covering his face, running in circles the likes of high-art street rap tastemaker Westside Gunn, and getting a stamp of approval from Jay-Z—held a private listening for his latest release in Hollywood. It’s currently not on DSPs, the only way to hear it is to purchase it (and surely not for $9.99) or to have been in this particular space tonight. Mach kicked the evening off by telling a parable about the First People who lived on this land we’ve come to know as Los Angeles eons later, parlayed lessons about when to lower your vibration so that you might attain a higher frequency and challenged fans in the crowd on their knowledge of biblical versus demonic imagery. Which is to say, it went the way you’d figure an evening with Mach-Hommy would go: down winding non-sequiturs of digressions no sane person could possibly predict. The music sounded pretty good, too.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Drake
</strong>
<strong>
<em>
, Maid of Honour
</em>
</strong>
</p>
<p style="margin:0;margin-bottom:16px">
I’ve seen people—not limited to our cousins at
<a style="text-decoration: underline; color: #000000;">
pitchfork.com
</a>
—declaring this the sneaky best of Drake’s three-album drop. I confess: I’m not that evolved. Both of the non-Iceman albums are a refreshing liberation from themes of beef and revenge, but ironically less cohesive because of it; they’re shorter albums but still somehow lose steam faster.
<em>
Maid of Honour
</em>
has been described as a better, more innovative, more sonically evolved sequel to his dance-inspired 2022 project
<em>
Honestly, Nevermind
</em>
; while this has higher and more distinct highs for sure,
<em>
HN
</em>
is the more listenable top-to-bottom project for me. I haven’t clicked with the back half yet at all, and songs like the pseudo-New Jack Swing homage “Stuck” feel like they should be up my alley in theory but aren’t grabbing me crazy just yet. The first handful of songs, though? I would love to be outside at a rooftop function this summer with a t-shirt tied around my head like 2001 Jadakiss when the beat on “Hoe Phase” drops; “Road Trips” sounds like an odyssey, and even “Which One,” which landed with a thud last summer, sounds good in the context of the project.
</p>
<p style="margin:0;margin-bottom:16px">
But the real gem is “Outside Tweaking,” a duet with IG honey/rapper Stunna Sandy, is the type of lab experiment we need more of from Drizzy, from his monotone flow to the dry, worldly humor that he packs into it: “Asking if ya manager can come—it seems like your manager’s your man” feels so lived in that it comes off even funnier than it should. Like most songs across these three albums, the beat switches up before you can even fully enjoy it, but it’s hard to complain when it shifts gears to a double-time flow where Sandy does her thing in a winning performance few (least of all me) probably expected (“Fly Stunna Sandy to Ibiza/Fly Stunna Sandy to the Giza/pyramids, Frank Ocean feature”). I disagree about this being the best of the pack, but fully understand why it’s getting that praise.
</p>
<p style="margin:0;margin-bottom:16px">
<strong>
Drake
</strong>
<strong>
<em>
, Habibti
</em>
</strong>
</p>
<p style="margin:0">
Here it is, the promise to drop an all-R&B tape that Drake made all the way back in 2011, finally fulfilled. (Back then, it was
<em>
It’s Never Enough.
</em>
) In theory, this should of easily been the best of the trio, and if it was released in the days before Heartbreak Drake calcified into the gleefully toxic Certified Lover Boy, maybe it would have been. He gets close, though. “WNBA” and “Slap the City” (which also has a great video) are as tender as he’s sounded in years, heavy on the yearning and light on the bitterness that’s come to eclipse a lot of his relationship tracks of late. But again, there isn’t much in the back half grabbing me in the same way; “Classic” is great but woefully short, letting the sample do a
<em>
ton
</em>
of heavy lifting. In retrospect, maybe the Iceman wasn’t thawed out enough yet to fully bring this particular concept home.
</p>
</div>
</td>
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<div class="" style="font-size:12px;font-family:Helvetica Neue,Helvetica,Arial,sans-serif;mso-line-height-alt:18px;color:#000;line-height:1.5">
<p style="margin:0;font-size:15px;mso-line-height-alt:22.5px">
<strong>
Related reading from
<em>
GQ
</em>
:
</strong>
</p>
<ul style="line-height:1.5;mso-line-height-alt:22.5px;font-size:15px">
<li aria-level="1">
<p aria-level="1" style="margin:0;mso-line-height-alt:22.5px">
<a style="text-decoration: underline; color: #000000;">
Dua Lipa’s Favorite Books of 2025
</a>
</p>
</li>
<li aria-level="1">
<p style="margin:0;mso-line-height-alt:22.5px">
<a style="text-decoration: underline; color: #000000;">
Filmmakers Are Still the Best-Dressed Attendees at Cannes
</a>
</p>
</li>
<li aria-level="1">
<a style="text-decoration: underline; color: #000000;">
John Travolta is Wearing Berets at the Cannes Film Festival
</a>
</li>
</ul>
<p style="margin:0;font-size:15px;mso-line-height-alt:22.5px">
<a rel="noopener" style="text-decoration: underline; color: #000000;" target="_blank">
<span style="word-break: break-word; font-size: 15px;">
<em>
Read previous editions of Tap In here.
</em>
</span>
</a>
</p>
</div>
</div>
</td>
</tr>
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How Phish Reinvented Sphere Forever
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‘28 Years Later Part 3’ Could Be the Zombie Movie of the Century—If It Actually Gets Made
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James Bond’s Newest Omega Watch Was Designed for a Video Game
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