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The Metropolitan Museum of Art (The Met) Newsletter subscriber
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Giacometti, Orientalism, and the final weeks of Raphael
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<img alt="The Met" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_4%252FLogos%252FE4002B_The_Met_Logotype_Red.png/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ0NTkzM30:1wYPNR:Vd1HRRIBSssaG2I5BvLkYOHLP4m2WkIoBa8WCGWn1_g" style="border: none; color: #e4002b; display: block; font-family: 'Times New Roman',Georgia,serif; font-weight: bold; font-size: 36px; line-height: 36px;" width="80"/>
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</a>
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<!--END HEADER-->
<!--HERO MODULE-->
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</table>
<table border="0" cellpadding="0" cellspacing="0" class="mobile" width="100%">
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<tr>
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<b>
New in June
</b>
</td>
</tr>
<tr>
<td align="left">
<a>
<img alt="Giacometti in the Temple of Dendur" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252FGiacometti_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ0OTE3OH0:1wYPNR:H6ulbtHGMdhs9iiYfQhh7xxJAbs4JPhChHS5IyCdXcQ" style="border: none; display: block;" width="600"/>
</a>
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<tr>
<td align="left" style="padding: 15px 15px 0px 0px; color: #6e6e6e; font-family: 'Times New Roman', Times, serif; font-size: 12px; font-weight: normal; line-height: 18px;">
<font style="font-size: 10px; color: #e4002b; font-family: Arial, Helvetica, sans-serif;">
<b>
JUST OPENED
</b>
</font>
</td>
</tr>
<tr>
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<font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
Through September 8, 2026
<br/>
The Met Fifth Avenue
</font>
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In co-organization with the Fondation Giacometti, this presentation brings together for the first time at The Met the work of Alberto Giacometti (1901–1966) in one of New York's most iconic spaces. The installation of 14 works in bronze and plaster, emblematic pieces from the collection of the Fondation Giacometti in Paris together with three from The Met collection, places the work of one of the great sculptors of the 20th century in dialogue with the ancient civilization that strongly influenced his art and his practice.
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<a style="font-family: Arial,'Times New Roman', Times, serif; font-size: 24px; text-decoration: none; color: #e4002b;">
<b>
Learn more →
</b>
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<a>
<img alt="Orientalism: Between Fact and Fantasy" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252FOrientalism_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ1MDY0NH0:1wYPNR:rVR2jHoWMhoPsY3TxdSbAF1oEmtWs6qrY6B87sn7-EI" style="border: none; display: block;" width="600"/>
</a>
</td>
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<!--END HERO HEADLINE-->
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<font style="font-size: 10px; color: #e4002b; font-family: Arial, Helvetica, sans-serif;">
<b>
JUST OPENED
</b>
</font>
</td>
</tr>
<tr>
<td align="left" style="padding: 0px 15px 30px 0px; color: #6e6e6e; font-family: 'Times New Roman', Times, serif; font-size: 14px; font-weight: normal; line-height: 20px;">
<font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
Through February 28, 2027
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The Met Fifth Avenue
</font>
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The word Orient is derived from the Latin
<em>
Oriens
</em>
, which means the direction of the rising sun—the east.
<a style="color:#000000">
<em>
Orientalism: Between Fact and Fantasy
</em>
</a>
explores notions of "the East" in the 19th century, when globalism, shaped by colonialism and imperialism, fueled unprecedented encounters, connections, and exchanges in Europe and the Middle East. "Hard power" mingled with "soft power," as accelerated travel, rapid technological change, and shifting geopolitics hastened artistic exchange between distant regions and different cultures.
</td>
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<tr>
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<a style="font-family: Arial,'Times New Roman', Times, serif; font-size: 24px; text-decoration: none; color: #e4002b;">
<b>
Learn more →
</b>
</a>
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<b>
<a style="color: #e4002b; text-decoration: none;">
Exhibition Highlights
</a>
</b>
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<tr>
<td>
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<tr>
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<table align="left" bgcolor="#FFFFFF" border="0" cellpadding="0" cellspacing="0" class="mobile" width="100%">
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<a>
<img alt="Raphael: Sublime Poetry" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252FRaphael_Sublime_Poetry_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ1MjM1NH0:1wYPNR:OItCbW-XDBSfmQYfy2rtORfC6UknzlQR13wQ3x5K5Jg" style="border:none; display:block;" width="290"/>
</a>
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</tr>
<tr>
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<a style="color:#000000; text-decoration:none;">
Raphael: Sublime Poetry
</a>
</td>
</tr>
<tr>
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<font style="font-size: 10px; color: #e4002b; font-family: Arial, Helvetica, sans-serif;">
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FINAL WEEKS
</b>
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<font style="font-size:14px; color:#6e6e6e; font-family:Arial, Helvetica, sans-serif;">
Through June 28, 2026
<br/>
The Met Fifth Avenue
</font>
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<img alt="" height="1" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FFooter%252Fspacer.gif/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ1MzcwNn0:1wYPNR:gOqSCB-mcKqC45eqsX_7lmN9BcP_MNeg0y0vWsdW9xQ" style="display: block;" width="20"/>
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<table align="left" bgcolor="#FFFFFF" border="0" cellpadding="0" cellspacing="0" class="mobile" width="100%">
<tr>
<td style="padding:0px 0px 0px 0px;">
<a>
<img alt="Gothic by Design: The Dawn of Architectural Draftsmanship" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252Fgothic_by_design_1200x764.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ1NTEyfQ:1wYPNR:OADwv1yDR5Be4cNKVT7IFdYMECfqn-hS_yJl6yy8RUY" style="border:none; display:block;" width="290"/>
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<a style="color:#000000; text-decoration:none;">
Gothic by Design: The Dawn of Architectural Draftsmanship
</a>
</td>
</tr>
<tr>
<td align="left" style="padding:0px 15px 30px 0px; color:#6e6e6e; font-family:'Times New Roman', Times, serif; font-size:12px; font-weight:normal; line-height:18px">
<font style="font-size:14px; color:#6e6e6e; font-family:Arial, Helvetica, sans-serif;">
Through July 19, 2026
<br/>
The Met Fifth Avenue
</font>
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</td>
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</table>
</td>
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</table>
<table border="0" cellpadding="0" cellspacing="0" id="templateColumns" width="600">
<tr>
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<table align="left" bgcolor="#FFFFFF" border="0" cellpadding="0" cellspacing="0" class="mobile" width="100%">
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<td style="padding:0px 0px 0px 0px;">
<a>
<img alt="Lillian Bassman: Bazaar and Beyond" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252Flillian_bassman_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ1NjUwNX0:1wYPNR:8nmZ71ffeWEtiveRTGCaowunKppsT-uvTocw3KvCvUA" style="border:none; display:block;" width="290"/>
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<a style="color:#000000; text-decoration:none;">
Lillian Bassman: Bazaar and Beyond
</a>
</td>
</tr>
<tr>
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<font style="font-size:14px; color:#6e6e6e; font-family:Arial, Helvetica, sans-serif;">
Through July 26, 2026
<br/>
The Met Fifth Avenue
</font>
</td>
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</td>
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</table>
</td>
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<img alt="" height="1" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FFooter%252Fspacer.gif/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ1Nzc1NH0:1wYPNR:PJ8UsxTgsxvMigmezmC0YZRgrsehvQlCLD7ZWfqWVD4" style="display: block;" width="20"/>
</td>
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<table border="0" cellpadding="0" cellspacing="0" width="100%">
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<tr>
<td class="mobile" valign="top">
<table align="left" bgcolor="#FFFFFF" border="0" cellpadding="0" cellspacing="0" class="mobile" width="100%">
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<td style="padding: 0px 0px 0px 0px;">
<a>
<img alt="Revolution!" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252FRevolution_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ1OTExfQ:1wYPNR:WVWPCM47xNGwBgeyAkBBENBci8UkU6BMsX1Zfm75ThY" style="border: none; display: block;" width="290"/>
</a>
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<a style="color: #000000; text-decoration: none;">
Revolution!
</a>
</td>
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<tr>
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<font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
Through September 7, 2026
<br/>
The Met Fifth Avenue
</font>
</td>
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</table>
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<tr>
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<table align="left" bgcolor="#FFFFFF" border="0" cellpadding="0" cellspacing="0" class="mobile" width="100%">
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<td style="padding: 0px 0px 0px 0px;">
<a>
<img alt="Musical Bodies" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252FMusical_Bodies_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ2MDU1M30:1wYPNR:tmbr8Lj5T60N2j__-AG9Z6oWJojv4eJJfPeUqThxGlQ" style="border: none; display: block;" width="290"/>
</a>
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<a style="color: #000000; text-decoration: none;">
Musical Bodies
</a>
</td>
</tr>
<tr>
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<font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
Through September 27, 2026
<br/>
The Met Fifth Avenue
</font>
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<img alt="" height="1" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FFooter%252Fspacer.gif/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ2MjUxOH0:1wYPNR:ojlZfVWyuj-YFKCrxuXa24AUJ915gmD8N0iiOFCZMfQ" style="display: block;" width="20"/>
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<table border="0" cellpadding="0" cellspacing="0" width="100%">
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<a>
<img alt="Creatures of Myth and Imagination: Europe and the Americas" class="mobile" src="https://inboxflows.com/_/image/https%253A%252F%252Fmail.metmuseum.org%252Ffiles%252Famf_the_met%252Fworkspace_2%252FExhibitions%252FFY26%252FCreatures_of_Myth_1200x674.jpg/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZtYWlsLm1ldG11cyIsInRpbWUiOjE3ODEzNjEwMjUuNTQ2NDAyNX0:1wYPNR:D2VfyC3UvSDwl_sVyVNw231KlVOCvjrZmB2dIqi5a2I" style="border: none; display: block;" width="290"/>
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<a style="color: #000000; text-decoration: none;">
Creatures of Myth and Imagination: Europe and the Americas
</a>
</td>
</tr>
<tr>
<td align="left" style="padding: 0px 15px 30px 0px; color: #6e6e6e; font-family: 'Times New Roman', Times, serif; font-size: 12px; font-weight: normal; line-height: 18px;">
<font style="font-size: 14px; color: #6e6e6e; font-family: Arial, Helvetica, sans-serif;">
Through October 18, 2026
<br/>
The Met Cloisters
</font>
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</table>
</td>
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Friday, July 10, July 17, and July 24, 6–7:30 pm
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Discover the energy of early cinema brought to life with live music.
<br/>
<br/>
In July, The Met's Leonard A. Lauder Research Center for Modern Art's annual three-part series
<em>
Short Films for Short Nights
</em>
returns with dozens of rare short films produced between 1903 and 1973. This year's theme explores "faces in the crowd." From close-up portraits to chance encounters and bustling city crowds, these works capture the full spectrum of the human experience.
<br/>
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<strong>
Friday, July 10
<br/>
Program One: Me and You
</strong>
<br/>
Look at the tradition of portraiture through individual depictions, from psychological interiors to cameras turned on other subjects.
<br/>
<br/>
<strong>
Friday, July 17
<br/>
Program Two: Friends and Strangers
</strong>
<br/>
Explore unexpected encounters—from chance meetings to confrontations.
<br/>
<br/>
<strong>
Friday, July 24
<br/>
Program Three: Crowds and Power
</strong>
<br/>
Experience films about the masses, from the helter-skelter of cities to those resisting authoritarian control.
<br/>
<br/>
Free with Museum admission, though advance registration is recommended.
<em>
Note: Space is limited; first come, first served. Priority will be given to those who register.
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For more information on the exhibitions, including sponsorship credits, visit
<em>
<a style="color:#6e6e6e;">
Giacometti in the Temple of Dendur
</a>
</em>
,
<em>
<a style="color:#6e6e6e;">
Orientalism: Between Fact and Fantasy
</a>
</em>
,
<em>
<a style="color:#6e6e6e;">
Raphael: Sublime Poetry
</a>
</em>
,
<em>
<a style="color:#6e6e6e;">
Gothic by Design: The Dawn of Architectural Draftsmanship
</a>
</em>
,
<em>
<a style="color:#6e6e6e;">
Lillian Bassman: Bazaar and Beyond
</a>
</em>
,
<em>
<a style="color:#6e6e6e;">
Revolution!
</a>
</em>
,
<em>
<a style="color:#6e6e6e;">
Musical Bodies
</a>
</em>
,
<em>
<a style="color:#6e6e6e;">
Creatures of Myth and Imagination: Europe and the Americas
</a>
</em>
,
<em>
<a style="color:#6e6e6e;">
Costume Art
</a>
</em>
, and
<em>
<a style="color:#6e6e6e;">
The Face of Life: Modern Portraits at The Met
</a>
</em>
.
<br/>
<br/>
<em>
Short Films for Short Nights
</em>
is organized by the Leonard A. Lauder Research Center for Modern Art.
<br/>
<br/>
For a full list of education program funders, please visit
<a style="color:#6e6e6e;">
metmuseum.org/educationfundingsupport
</a>
.
<br/>
<br/>
Images: Alberto Giacometti,
<em>
Woman of Venice II
</em>
, 1956. Painted bronze. The Metropolitan Museum of Art, New York, Jacques and Natasha Gelman Collection, 1998 © 2026 Artists Rights Society (ARS), New York | Jean-Léon Gérôme,
<em>
Bashi-Bazouk
</em>
(detail), 1868–69. Oil on canvas. The Metropolitan Museum of Art, New York, Gift of Mrs. Charles Wrightsman, 2008 | Raphael (Raffaello di Giovanni Santi),
<em>
The Virgin and Child with Infant Saint John the Baptist in a Landscape (The Alba Madonna)
</em>
(detail), ca. 1509–11. Oil on canvas (transferred from wood). National Gallery of Art, Washington, D.C., Andrew W. Mellon Collection 1937.1.24 | Possibly by Wenzel Roriczer (German, born Bohemia, died 1419). Design for the Entrance Portal of Regensburg Cathedral (detail), ca. 1390–1410. Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment, Sheet: 53 3/16 × 22 3/8 in. (135.1 × 56.9 cm). Kupferstichkabinett, Akademie der Bildenden Künste Wien (HZ-16871r) | Lillian Bassman (American, 1917–2012). Solarized Fashion Study (detail), ca. 1960. Gelatin silver print. The Metropolitan Museum of Art, New York, Gift of Lizzie and Eric Himmel © Estate of Lillian Bassman | Paul Revere Jr. (American, 1734©1818), after Henry Pelham (American, 1749©1806).
<em>
The Boston Massacre, or, The Bloody Massacre perpetrated in King Street, Boston on March 5, 1770 by a party of the 29th Regiment
</em>
(detail), 1770. Hand-colored engraving and etching; second state. Sheet: 11 in. × 9 9/16 in. (27.9 × 24.3 cm). The Metropolitan Museum of Art, New York, Gift of Mrs. Russell Sage, 1910 (10.125.103) | Thomas Zach,
<em>
Violino Harpa Forma Maxima
</em>
, 1874. Wood (spruce, maple, ebony), metal strings. Collections Musée de la musique / Cliché Claude Germain, 2020. Cité de la musique-Philharmonie de Paris | Tairona artist(s), Figure Pendant, Colombia, 900-1600 CE. Gold. The Metropolitan Museum of Art, New York, Jan Mitchell and Sons Collection, Gift of Jan Mitchell, 1991 (1991.419.31) | Assemblage:
<em>
Ensemble
</em>
, John Galliano for Maison Margiela, autumn/winter 2020–21 haute couture. Courtesy of Maison Margiela;
<em>
The Veiled Woman
</em>
, Rafaelle Monti, 1854. The Metropolitan Museum of Art, New York, Gift of Annie Brinkmann, 1887 (87.7) Artwork by Julie Wolfe. | Henri Matisse,
<em>
Young Sailor II
</em>
(detail), 1906. Oil on canvas. The Metropolitan Museum of Art, New York, Jacques and Natasha Gelman Collection, 1998 | VALIE EXPORT,
<em>
Self-Portrait with Head
</em>
, 1966–67. Black and white, silent, 4 min. © sixpackfilm
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1 month, 2 weeks ago - met@mail.metmuseum.org
Giacometti, Orientalism, and the final weeks of Raphael View in browser New in June JUST OPENED T...