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                            <tr>
                             <td class="rPT As2 paa" style="border-collapse: collapse; word-break: break-word; padding: 20px 30px; font-size: 28px;">
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                                  “I always find beauty in things that are odd and imperfect—they are much more interesting. ”
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                                  —Marc Jacobs
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
                                                   <img alt='NEW YORK, NEW YORK - MAY 04: (L-R) Marc Jacobs and Rachel Sennott attend the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art on May 04, 2026 in New York City. (Photo by Mike Coppola/Getty Images)' class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2026%252F5%252F15%252Ff5533f6e%252Fnew-york-new-york.jpg%253Fw%253D640%2526h%253D449%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3Nzg4NjgxMjUuNzk4ODM0fQ:1wNwrN:X9yyQ4d4S3QJ_qLRKGLv5EDsMTH0IQHVAX3GFXXQAu0" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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                                                   Mike Coppola/Getty Images Entertainment/Getty Images
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                                                  In
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Marc Jacobs's Next Chapter
                                                  </a>
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                                                  Out
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   His LVMH Era
                                                  </a>
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                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               When he was appointed creative director of the fashion house in 1997,
                                               <strong>
                                                Marc Jacobs
                                               </strong>
                                               helped turn Louis Vuitton from a respected but staid producer of leather goods into the all-encompassing luxury brand we know today. He stepped down amicably in 2014 to concentrate on his own New York-based label. The shift suited him creatively. In recent years, he’s turned out some of the
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                most audacious
                                               </a>
                                               and critically lauded collections of his career. The problem? Fashion (like much of the economy) is now
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                K-shaped
                                               </a>
                                               . There’s the affordable fast fashion and ultra-discount brands at the bottom, and the luxury behemoths at the top. There’s increasingly very little room for anyone in between—and that includes the Marc Jacobs label. Louis Vuitton’s parent company had purchased the brand when Jacobs got hired in ‘97 and retained control. But it was becoming increasingly clear that the business no longer fit in with the rest of the portfolio (LVMH also owns Dior, Fendi, and Celine, among many others). Yesterday
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                it was announced
                                               </a>
                                               that Marc Jacobs has now been sold to WHP Global with G-III Apparel also taking a stake in the $850 million deal. Never heard of those companies? It’s fine—but between them, they now own Vera Wang, Donna Karan, Calvin Klein, Isaac Mizrahi, and Tommy Hilfiger. These are all brands that have high-fashion heritage, but also offer plenty of product at affordable prices. What does that mean for Jacobs? Well, according to his own Instagram post, he seems happy. “When I met with [WHP global CEO]
                                               <strong>
                                                Yehuda Shmidman
                                               </strong>
                                               , it was abundantly clear that his respect, admiration, appreciation, and love for the house we built was genuine and sincere,” he wrote. The buzz is that Jacobs will continue staging his New York runway shows with complete creative control, but you might notice changes to the rest of the business. Marc Jacobs Beauty, for instance, will
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                relaunch
                                               </a>
                                               next month. And we suspect Jacobs’s non-runway offering (surely you’ve seen the tote bags and the sneakers) may evolve. Hopefully it all works out. Our biggest concern? In an economy where there’s increasingly little room left for younger designers and midsize labels, we have to wonder where the next Marc Jacobs will come from.
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
                                                   <img alt="Antonoff's Anti-AI Art" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2026%252F5%252F15%252F0f63336b%252Fimage-w1280.webp%253Fw%253D640%2526h%253D360%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3Nzg4NjgxMjUuNzk4OTY3MX0:1wNwrN:gHSKCbBk9vaDwPkH0eC-8tuSj7JWXTAswb1Duql64vc" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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                                                  Out
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Antonoff's Anti-AI Art
                                                  </a>
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                                                  Out
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Taste Cheat Codes
                                                  </a>
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                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               AI bros and the art world are battling over the future of creativity. While there may be some attempts at collaboration (usually brokered by a big, fat check from the tech world to opportunistic artists), the skirmish remains tense. Music superproducer
                                               <strong>
                                                Jack Antonoff
                                               </strong>
                                               set off the latest dustup by posting
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                a missive on Instagram
                                               </a>
                                               calling anyone making music using generative AI a “godless whore” engaging in “slop.” Many applauded Antonoff, but the AI bros staged their defense. One take from a semi-popular X account caught our eye. The user asked why kids growing up in a world with AI tools pre-loaded on their iPads would want to be “spending years learning [old methods of music] when these tools are only going to get better over the next five years?” We’ve seen lots of generative AI-produced media floating around the internet. True, the tech is getting better, but the output has been entirely unmoving. It all feels insular, overly referential, and devoid of attempts to capture anything deeper. Take
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                this
                                               </a>
                                               ridiculous short film, for example. It might impress video game enthusiasts, but the shallow attempts to stir emotion ring hollow. And, if you’ll let us be a bitchy fashion magazine for a second, the AI actress’s hair, makeup, and wardrobe are completely ridiculous; no Hollywood wardrobe and beauty department would let that fly. Techies have now become
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                obsessed with the concept of “taste
                                               </a>
                                               .” The idea being that AI’s slop problem can be overcome by recruiting people with taste to make better use of their generative tools. Creativity and taste aren’t synonymous, but they do both come from years of real-world experiences, collaboration, communication, and curious minds. There’s no cheat code or ChatGPT prompt that’s going to deliver that. “We (myself, the band and everyone I know, frankly) have never been looking for this work to become quicker or easier,” wrote Antonoff. “We were never frustrated by the randomness and magic it takes. We do it for that exact reason—and without the process itself... nothingness."
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                                                   Monster Energy Drink Vibes
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                                              <p class="BBC" style="word-break: break-word; margin-bottom: 8px; margin: 18px 0 0;">
                                               The general plot for this weekend’s
                                               <em>
                                                <strong>
                                                 In The Grey
                                                </strong>
                                               </em>
                                               feels like something you might get out of locking a bunch of 12-year-old boys in a room with a case of Monster Energy drinks and asking them for movie ideas. That’s not necessarily a bad thing, it just might not be your thing.
                                               <strong>
                                                Jake Gyllenhaal
                                               </strong>
                                               ,
                                               <strong>
                                                Henry Cavill
                                               </strong>
                                               , and
                                               <strong>
                                                Eiza González
                                               </strong>
                                               star as some sort of elite espionage team attempting to recover stolen treasure. If you’re into director
                                               <strong>
                                                Guy Ritchie
                                               </strong>
                                               's particular brand of styl
                                               <em>
                                                ish
                                               </em>
                                               action flicks, it's worth a try. Critics would probably suggest
                                               <em>
                                                <strong>
                                                 Is God Is
                                                </strong>
                                               </em>
                                               instead. It’s a thriller about two twins who are ordered by their mother to kill their abusive, estranged father. Unlike the Monster Energy vibe of
                                               <em>
                                                In The Grey
                                               </em>
                                               , this thriller actually started as an off-Broadway play (playwright
                                               <strong>
                                                Aleshea Harris
                                               </strong>
                                               is making her directorial debut with the movie). “It’s a violent road trip of murder and revenge—with arthouse aesthetics and thought-provoking writing,” writes
                                               <em>
                                                The Film Verdict
                                               </em>
                                               . Now, we turn our attention to the horror flick,
                                               <em>
                                                <strong>
                                                 Obsession
                                                </strong>
                                               </em>
                                               . While the most famous member of its cast may be
                                               <strong>
                                                Conan O'Brien
                                               </strong>
                                               's old sidekick,
                                               <strong>
                                                Andy Richter
                                               </strong>
                                               , critics enjoyed this low-budget, supernatural screamfest about a haunted toy called a “One Wish Willow.” “A deliriously pointed cautionary tale about the perils of getting what you want, and an instant contender for classic midnight-movie status,” writes
                                               <em>
                                                The Daily Beast
                                               </em>
                                               .
                                              </p>
                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               Television is a little sleepier this weekend. Amazon Prime’s
                                               <em>
                                                <strong>
                                                 Off Campus
                                                </strong>
                                               </em>
                                               is destined to be described as "
                                               <em>
                                                <strong>
                                                 Heated Rivalry
                                                </strong>
                                               </em>
                                               for straight people." Like that Canadian sensation, it’s based on a popular novel series about hockey hookups (it’s a surprisingly robust genre!). This time, however, the action is at the collegiate level. The series also swaps the rivals-to-lovers dynamic in favor of the smart-girl-on-dumb-jock trope. “High-class, lovable nonsense” writes
                                               <em>
                                                The Guardian
                                               </em>
                                               . This weekend’s other major series premiere is yet another entry into the
                                               <em>
                                                <strong>
                                                 Yellowstone
                                                </strong>
                                               </em>
                                               canon.
                                               <em>
                                                <strong>
                                                 Dutton Ranch
                                                </strong>
                                               </em>
                                               is more or less a direct sequel to the original series, with the characters
                                               <strong>
                                                Beth
                                               </strong>
                                               and
                                               <strong>
                                                Rip
                                               </strong>
                                               moving to Texas to do some ranch stuff there. Unsurprisingly, critics think fans of the original should be pleased, assuming they’re all caught up on the other numerous
                                               <em>
                                                Yellowstone
                                               </em>
                                               spin-offs.
                                              </p>
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