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                               <tbody>
                                <tr>
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                                  “Life is like Sanskrit read to a pony. ”
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                                  —Lou Reed
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
                                                   <img alt='NEW YORK, NEW YORK - MAY 04: (L-R) Hailey Bieber, Hunter Schafer, Lux Pascal, Paloma Elsesser, Alex Consani and Kylie Jenner attend the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art on May 04, 2026 in New York City.  (Photo by Stephanie Augello/MG26/Getty Images for The Met Museum/Vogue)' class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2026%252F5%252F8%252Ff5762e0d%252Fnew-york-new-york.jpg%253Fw%253D640%2526h%253D427%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzgyNzQ1MzMuNDA0OTk5fQ:1wLSRJ:uvuy_c9ySW-DWq65zassa32L75Mvp6Y-pAp_ZzmWHQQ" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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                                                  <div class="iO8" style="font-family: PilatNarrow, Helvetica, sans-serif; font-size: 10px; line-height: 120%; opacity: 0.75; padding-top: 3px;">
                                                   Stephanie Augello/MG26/Getty Images Entertainment/Getty Images
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                                                  In
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                                                </tr>
                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   The Ephemerality of the Met Gala
                                                  </a>
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                                             </td>
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                                                 <td align="center" class="x4o HcY" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #f24923; padding: 20px 0 10px;">
                                                  Out
                                                 </td>
                                                </tr>
                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Lasting Impressions
                                                  </a>
                                                 </td>
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                                              </table>
                                             </td>
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                                            <tr>
                                             <td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               In the 24 hours both before and after, the Met Gala feels like the biggest thing in the world. Its fans hype it up as the pinnacle of fashion and the ultimate red carpet. Its haters pick it apart like its reform or outright abolition would somehow heal the world. Yet, here we are, four days after the latest edition and it already feels like it happened years ago, doesn’t it? It’s an inherently ephemeral happening, and neither extreme is really true. Much of the fashion and much of online controversy accomplishes the same thing: a quick flash of online attention hoarding that rapidly dissipates. The only lasting thing that really matters is the money it deposits into the coiffures that keep the Met’s Costume Institute running. If you’ve somehow missed it, you can find every look
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                here
                                               </a>
                                               and our picks for the best dressed
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                here
                                               </a>
                                               . At least checking out a
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                rundown of all the artistic references
                                               </a>
                                               will give you a crash course in art history.
                                               <strong>
                                                Hunter Schafer
                                               </strong>
                                               looked
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                great
                                               </a>
                                               .
                                               <strong>
                                                Emma Chamberlain
                                               </strong>
                                               too. That precious
                                               <em>
                                                <strong>
                                                 Heated Rivalry
                                                </strong>
                                               </em>
                                               boy looked a little bit of a mess. Still a bit of shame we didn’t get any Act III tea out of Beyoncé. Now we’ve just got to figure out who’s free next week to actually go with us to check out the exhibit (despite everything, it’s supposed to be one of the Costume Institute’s best in years), and then it’s on to speculating about next year. Maybe The
                                               <em>
                                                Algorithm In Fashion: Style in the Social Media Age
                                               </em>
                                               for the theme?
                                              </p>
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                   <tbody>
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                     <td style="border-collapse: collapse; word-break: break-word;">
                      <table align="center" border="0" cellpadding="0" cellspacing="0" class="KrE" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; background: #000;" width="100%">
                       <tbody>
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                         <td style="border-collapse: collapse; word-break: break-word;">
                         </td>
                         <td style="border-collapse: collapse; word-break: break-word;" width="740">
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                                                 <td style="border-collapse: collapse; word-break: break-word;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
                                                   <img alt="Charli's New Era" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2026%252F5%252F8%252Fd198940e%252Fcharli-xcx-rock-musicjpg.webp%253Fw%253D640%2526h%253D360%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3NzgyNzQ1MzMuNDA1MTQ2MX0:1wLSRJ:jADZ8Lp3TeGkeXlxxJXEUn5bqcyAdvkwKhVFfR2ZAVo" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
                                                  </a>
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                                               <tbody>
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                                                 <td align="center" class="x4o hn3" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #262fff; padding: 0 0 10px;">
                                                  In
                                                 </td>
                                                </tr>
                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Charli's New Era
                                                  </a>
                                                 </td>
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                                              </table>
                                             </td>
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                                     <td style="border-collapse: collapse; word-break: break-word;">
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                                                 <td align="center" class="x4o HcY" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 700; font-size: 30px; text-transform: uppercase; color: #f24923; padding: 20px 0 10px;">
                                                  Out
                                                 </td>
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                                                <tr>
                                                 <td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Sincerity?
                                                  </a>
                                                 </td>
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                                             <td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               All eyes on Charli. After the surprise success of
                                               <em>
                                                <strong>
                                                 Brat
                                                </strong>
                                               </em>
                                               and the savvy transitional project of her
                                               <em>
                                                <strong>
                                                 Wuthering Heights
                                                </strong>
                                               </em>
                                               soundtrack,
                                               <strong>
                                                Charli XCX
                                               </strong>
                                               officially kicked off her new era today with the release of lead single “
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                Rock Music
                                               </a>
                                               .” She teased the release on Twitter writing, “making a song called rock music that is not actually rock music which is funny because i never said i was making a rock album.” Okay! Longtime fans know Charli has a history mixing, well, bratty irony with heartbreaking sincerity that often isn’t apparent until the full album arrives. The new song leans decidedly toward the ironic.
                                               <em>
                                                Pitchfork
                                               </em>
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                calls
                                               </a>
                                               it ”an elite troll and slightly stupid provocation,” but a successful one.
                                               <em>
                                                The Fader
                                               </em>
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                says
                                               </a>
                                               the song “rips,” but the irony is getting “a tad predictable, and tired.” All throughout the
                                               <em>
                                                Brat
                                               </em>
                                               era, Charli had been
                                               <a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
                                                teasing the idea
                                               </a>
                                               of making a record inspired by rock legend
                                               <strong>
                                                Lou Reed
                                               </strong>
                                               as her follow-up. She calls him her hero and favorite song writer. The song, well, doesn’t actually sound much like Reed’s work. However it’s worth noting that Reed was something of an elite-level troll himself. His band,
                                               <strong>
                                                The Velvet Underground
                                               </strong>
                                               , was famously very influential but commercially unsuccessful. He caught a Brat-like wave of surprise success in the 70s on the back of the glam rock movement that elevated him to the mainstream. At the peak of his popularity he released
                                               <em>
                                                <strong>
                                                 Metal Machine Music
                                                </strong>
                                               </em>
                                               . It sold 100,000 copies in its first week. The problem? It was 64 minutes of electronic drone music. He didn’t even sing on it. It also quickly became one of the most returned albums in history, and was, for a time, pulled off shelves. “Rock Music” is, in contrast, two minutes, written in a conventional pop format, and very much has lyrics. Though, if you’re channeling Reed, we guess a little trolling is apt.
                                              </p>
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                             </td>
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                         </td>
                         <td style="border-collapse: collapse; word-break: break-word;">
                         </td>
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                       </tbody>
                      </table>
                     </td>
                    </tr>
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                  </table>
                 </td>
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                <tr>
                 <td style="border-collapse: collapse; word-break: break-word;">
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                   <tbody>
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                     <td style="border-collapse: collapse; word-break: break-word;">
                      <table align="center" border="0" cellpadding="0" cellspacing="0" class="KrE" style="border-collapse: separate; mso-table-lspace: 0; mso-table-rspace: 0; background: #000;" width="100%">
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                         <td style="border-collapse: collapse; word-break: break-word;">
                         </td>
                         <td style="border-collapse: collapse; word-break: break-word;" width="740">
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                                                  In
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                                                  <a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
                                                   Florida Drug Lords
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                                              <p class="BBC" style="word-break: break-word; margin-bottom: 8px; margin: 18px 0 0;">
                                               The unexpected winner of this weekend’s entertainment offerings?
                                               <em>
                                                <strong>
                                                 The Sheep Detectives
                                                </strong>
                                               </em>
                                               . The film is, quite literally, about a flock of sheep who solve crimes, and yes it is not some pure-CGI kiddie fest. It’s more like
                                               <em>
                                                <strong>
                                                 Look Who’s Talking
                                                </strong>
                                               </em>
                                               <strong>
                                               </strong>
                                               meets
                                               <em>
                                                <strong>
                                                 Knives Out
                                                </strong>
                                               </em>
                                               <strong>
                                                . Hugh Jackman
                                               </strong>
                                               plays a farmer who winds up dead, so his sheep (voiced by
                                               <strong>
                                                Julia Louis-Dreyfus
                                               </strong>
                                               ,
                                               <strong>
                                                Bryan Cranston
                                               </strong>
                                               ,
                                               <strong>
                                                Regina Hall
                                               </strong>
                                               , and more) take up the case. “As one of the year’s most delightful surprises, [its] is a charming, smart, and sincerely heartfelt whodunit,” writes
                                               <em>
                                                Collider
                                               </em>
                                               .
                                               <strong>
                                                Billie Eilish
                                               </strong>
                                               , meanwhile, attempts to up the game in the live concert film genre. Not only is her
                                               <em>
                                                <strong>
                                                 Hit Me Hard and Soft: The Tour
                                                </strong>
                                               </em>
                                               in 3D, but she also co-directed it with none other than
                                               <strong>
                                                James Cameron
                                               </strong>
                                               . Though there’s some behind-the-scenes bits, nothing is particularly revealing. Instead, its the onstage footage that’s the highlight. “With its vivid footage, sometimes captured from breathlessly intimate proximity, you might be able to believe, just for a moment, that you could really reach right through the screen and touch her,” writes
                                               <em>
                                                The Hollywood Reporter
                                               </em>
                                               . In limited release, you’ll find the provocative but well reviewed queer drama
                                               <em>
                                                <strong>
                                                 Blue Film
                                                </strong>
                                               </em>
                                               . “[It] leaves you feeling a little bit ill, and very uneasy about how you’re supposed to feel,” writes
                                               <em>
                                                IndieWire
                                               </em>
                                               . “But when most films either wouldn’t dare go here at all, or would tell you how to feel about the material, that’s rare and welcome.”
                                              </p>
                                              <p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
                                               <em>
                                                <strong>
                                                 Ozark
                                                </strong>
                                               </em>
                                               captivated audiences in part because it flipped the script on drug dealer drama by transporting the action from ritzy, glitzy, urban locations (like Miami) to a dusty, unglamorous flyover area (literally Missouri). The series co-creator
                                               <strong>
                                                Bill Dubuque
                                               </strong>
                                               jump ships both Peacock and back to cities this weekend with
                                               <em>
                                                <strong>
                                                 M.I.A.
                                                </strong>
                                               </em>
                                               It’s another family-centered drug drama, but this time set in South Florida. The results? Well, nothing quite as captivating original as Dubuque’s previous film. “It’s a bluntly entertaining, thoroughly disposable series nestled partway between prestige antihero drama and enjoyably brainless pulp,” writes the
                                               <em>
                                                Reporter
                                               </em>
                                               .
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