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6.19.2026
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“I’d rather risk an ugly surprise than rely on things I know I can do.”
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—Helen Frankenthaler
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<img alt="NEW YORK, NY - JUNE 18: Jose Alvarado and Karl Anthony-Towns are seen outside City Hall during the New York Knicks ticker-tape parade on June 18, 2026 in New York City. (Photo by Andrea Renault/Star Max/GC Images)" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fgetty%252F2026%252F6%252F19%252Fba436038%252Fnew-york-ny-june.jpg%253Fw%253D640%2526h%253D449%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3ODE4ODEwNDcuNjc3Mzk2M30:1waaet:cDt_aVM33RpKC4qs5SAKlsWxQChq7M_PMhClrbg8290" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
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Andrea Renault/Star Max/GC Images/Getty Images
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In
</td>
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New York City’s Immaculate Vibes
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Out
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The Cultural Age of Trump?
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</tr>
<tr>
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<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
There are still two-and-a-half years left of
<strong>
President Donald Trump
</strong>
’s second term, and, yet, culturally at least, sometimes it feels like the Age of Trump has already ended. If we had to pinpoint exactly when it happened, we might say it was this past January. A few weeks after
<strong>
Mayor Zohran Mamdani
</strong>
took office in New York,
<strong>
Bad Bunny
</strong>
’s Super Bowl halftime show was widely considered a crowd-pleasing success. In retrospect, the right-wing media looked silly for making such a big deal of it in the first place. The president then went on chasing a spree of contentious and often confusing foreign policy windmills (what was all of that about Greenland again?), while struggling to reassure Americans about the economy. As a result, his approval ratings remain in the gutter. As the president celebrated his birthday by watching grown-men fight each other on the White House lawn, Mamdani’s New York was in the throes of full ecstasy. The New York Knicks had taken home their first NBA championship in decades,
<strong>
Jane Fonda
</strong>
was
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
hosting
</a>
a first amendment singalong with
<strong>
Bette Midler
</strong>
and
<strong>
Julia Roberts
</strong>
at the Town Hall theater, and the city’s World Cup events were going off without a hitch. Everyone is describing the vibes as simply “immaculate.” Now, what comes next?
</p>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
<img alt=" Kendall Jenner’s Art World Influence? " class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2026%252F6%252F19%252Fb679ea1d%252F723110768_19043558962044931_2748964296092355426_n.jpg%253Fw%253D640%2526h%253D480%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3ODE4ODEwNDcuNjc3NDk5fQ:1waaet:a0TucNn98tOT0DOk5LiHEJHBcVn9tcZ6ZAo-tGemYAE" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
</a>
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In
</td>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Kendall Jenner’s Art World Influence?
</a>
</td>
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</tbody>
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</td>
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</tbody>
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</td>
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Out
</td>
</tr>
<tr>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Dead Male Artists
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
The Kardashian-Jenner clan’s ability to influence fashion, beauty, tourism, and interior design is well documented, but can they shift the art market? Well, maybe.
<strong>
Kendall Jenner
</strong>
recently posted a photo of herself admiring
<strong>
Helen Frankenthaler
</strong>
’s
<em>
Hint from Bassano
</em>
at The Gagosian Gallery. Apparently Jenner was quite struck by the work, but she’s not the only one. Frankenthaler, who passed in 2011, is having quite the moment. She was a major member of America’s midcentury Abstract Expressionism movement alongside
<strong>
Mark Rothko
</strong>
and
<strong>
Jackson Pollock
</strong>
. Curators began paying extra attention to her work about 10 years ago as the art world tried to balance gender representation in museums and the art world at large, but her signature soak-stain color wash paintings
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
never needed any help
</a>
taking their place in art history. They’re clearly quite stunning. The Museum of Modern Art in New York made a point of displaying their largest Frankenthalers in the atrium earlier this year. Europe’s largest-ever retrospective of her work is currently on view throughout the summer at the Kunstmuseum Basel in Switzerland. The National Gallery in Washington, D.C. is planning a major retrospective to celebrate the 100th anniversary of her work in 2028, which is then expected to hit the road. Naturally, the art market expects all this activity to lead to higher prices for Frankenthaler’s paintings (her major works already go for around $2 to $8 million). Jenners’ Instagram will only add to the buzz. Of course, Jenner isn’t just a fan. She actually owns one of the artist’s smaller pieces
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
as seen in
</a>
a 2024
<em>
Architectural Digest
</em>
spread. In any event, if you’re in New York City, you should make like Jenner and check out the Gagosian exhibit. It’s on display
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
at the gallery’s W 21st Street location
</a>
through July 2nd.
</p>
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<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: inherit;" target="_blank">
<img alt="Sequels That Actually Make Sense" class="kAw" src="https://inboxflows.com/_/image/https%253A%252F%252Fimgix.bustle.com%252Fuploads%252Fimage%252F2026%252F6%252F19%252F8d086a37%252Ftoy-story-5.webp%253Fw%253D640%2526h%253D360%2526fit%253Dcrop%2526crop%253Dfaces%2526dpr%253D2/?inbox_flows_img_sig=eyJwYXRoIjoiaHR0cHMlM0ElMkYlMkZpbWdpeC5idXN0bCIsInRpbWUiOjE3ODE4ODEwNDcuNjc3NjAxfQ:1waaet:-a5mob4rzNVJVAhN0JqPYD30dED5fTvSztMwNmmf188" style="border-style: none; -ms-interpolation-mode: bicubic; text-decoration: none; border: 0; outline: 0; padding: 0; display: block; width: 100%; max-width: 700px;" width="640"/>
</a>
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In
</td>
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<tr>
<td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Sequels That Actually Make Sense
</a>
</td>
</tr>
</tbody>
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</td>
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</table>
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Out
</td>
</tr>
<tr>
<td align="center" class="fN_" style="border-collapse: collapse; word-break: break-word; font-family: PilatNarrow, Helvetica, sans-serif; line-height: 100%; font-weight: 400; font-size: 50px;">
<a class="GsP" rel="noreferrer" style="background: transparent; cursor: pointer; text-decoration: none; word-wrap: break-word; color: #000;" target="_blank">
Straight Horror
</a>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td class="YXx" style="border-collapse: collapse; word-break: break-word; color: #000; font-family: Whitman, Garamond, Times, serif; font-weight: 400; font-size: 18px; line-height: 107%; padding: 2px 0; padding-top: 12px;">
<p class="BBC" style="word-break: break-word; margin-bottom: 8px; margin: 18px 0 0;">
Some sequels are meaningless cash grabs. Others seem necessary. Especially when the world changes so much that audiences can’t help but wonder how those old beloved comfort characters would react. That was the case earlier this year when
<em>
<strong>
The Devil Wears Prada 2
</strong>
</em>
showed us how
<strong>
Miranda Priestly
</strong>
was weathering the collapse of the fashion magazine industrial complex, and that seems to be true for
<em>
<strong>
Toy Story 5
</strong>
</em>
. A sequel that might as well be subtitled “Dawn of the iPad Kids.” Yes,
<strong>
Buzz
</strong>
and
<strong>
Woody
</strong>
return to a world where kids prefer 8 hours a day of screentime over traditional toys, presenting something of an existential crisis for all of toy-kind.
<strong>
Greta Lee
</strong>
voices a tablet computer with
<strong>
Conan O’Brien
</strong>
stealing scenes as her techy sidekick. “Not only are the animation, of-the-moment storytelling, voice performances, and character development strong enough to warrant returning to this Pixar franchise again,” writes
<em>
ScreenRant
</em>
. “But this film pulls off the impressive feat of being the funniest and most emotional
<em>
Toy Story
</em>
yet.”
</p>
<p class="BBC" style="word-break: break-word; margin-bottom: 0; margin: 18px 0 0;">
Elsewhere, Neon tries to extend the recent run of unlikely horror hits with
<em>
<strong>
Leviticus
</strong>
</em>
, which may also be the queerest mainstream horror film since
<em>
<strong>
The Babadook
</strong>
</em>
. Two closeted teenage boys with feeling for each other are haunted by a mysterious force that takes the form of the other. “The writing is original, rich, and effective, ramping up tension until it reaches a graphic, brutal crescendo in the third act,” writes
<em>
Next Best Picture
</em>
. Then there’s
<em>
<strong>
The Death of Robin Hood
</strong>
</em>
, a gritty retelling of the story of the famed English outlaw as he grapples with his legacy, though reviews are mixed. Finally, musician
<strong>
Hayley Kiyoko
</strong>
turns her single
<em>
<strong>
Girls Like Girls
</strong>
</em>
into
<a class="GsP VGF" rel="noreferrer" style="background: transparent; cursor: pointer; word-wrap: break-word; text-decoration: underline; color: #000; font-weight: 700;" target="_blank">
her directorially debut
</a>
, a lesbian coming-of-age film just in time for pride month. “A sweet little gem,” writes
<em>
The A.V. Club
</em>
.
</p>
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Follow us on:
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